What I came back to is that jazz is a music to be played and not to be intellectualized on.
It's true I've always been attracted to the jazz band in an orchestral way, rather than a band way.
So I played alto for quite a while until I saved up the money for the baritone
People talk about innovations and evolutions and that kind of thing; I don't understand about that nonsense. It's like, all instruments are there to use all the time
The first reason for starting to do the symphony concerts was to play this new piece of mine.
In a way, I started out to be a baritone player.
Because if you've got the wit, you can make anything into a melody, ultimately.
I've always wanted a C trumpet on top, to have that same kind of facility without shouting.
This life of being a transient human being has gotten to a point when it's very hard to bear
Life on the road is murder. It's as though life begins and ends when you have your horn in your mouth.
The baritone can serve functions that the alto and tenor cannot, in orchestral voicing
You can make a saxophone into an electric organ; you can do everything with it
The other saxophones, except as solo instruments, really don't have much point in the orchestra
Then, of course, I played alto and tenor, wherever there were jobs.
People are approaching electronic levels in music; although not all of it happens to tickle my fancy
When I began listening to saxophones, I was first attracted to Coleman Hawkins
A very talented player and all around excellent musician. I love hearing his records on radio!
When we've finished the current tour I'm going to go back to Italy and see if I can do some more writing.
The recording industry has changed; they're enjoying such incredible success in the pop field
Only the French, I guess, really use tenor and alto to any great extent in the orchestra
You start way down on a low B flat on the tuba and you have a chromatic scale; you can match the colours all the way up, till you get to the top of the trumpet.
Actually, when I was very young, first starting to play, I think I probably listened more to clarinet players than to saxophones.
I would think, of all the saxophones, the baritone would be the most logical instrument if anybody was adding a voice to the symphony orchestra.
Eliminating the piano means that I've always worked closer with the bass than most players.
Actually, it is a fact that I've been doing more writing than playing in recent years.
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