I'm not that good of a drawer. I don't know how people just draw stuff out of their head. I'm always creating schemes. If I have to draw someone sitting in a chair, I have to go find a chair, sit in it, and take a picture of myself sitting in it.
I could not do what I do if I were not obsessive compulsive to a certain extent. I don't act clinically OCD. I'm not going to check things so many times I have to take drugs for it. But the kind of complicated and painstaking work I have to do to make my drawings, it just kind of harnesses that compulsive energy in a constructive way.
Self-published media are really critical. It's so heartwarming that people are still doing it in this digital age. It's just really moving and exciting. You can't really replace a beautiful little mini-comic. It doesn't translate to the computer, you know? Handmade stuff has really given me hope for humanity.
It certainly was an important moment for me, that realization that I was not going to get what I wanted. It was very freeing. I keep using that word "freeing" or "liberating." I feel like Houdini sometimes, like I'm just getting out of one set of shackles after another, hanging upside down inside a burlap bag with handcuffs on. Hopefully one day, I'm going to get out of this tank of water.
Basically, my work is play. It never actually feels that way - I'm always aiming to attain that state. But I get to do for a living what I did as a child for fun, and that's pretty cool.
I do sometimes miss doing that lighter, more humorous work, and I find there's a heavier responsibility that goes along with a literary reputation. You have to start knowing what you're talking about and you have to go have public conversations with writers. That's been pretty intense; I have to really stay on top of things in a way I didn't before.
I get to do for a living what I did as a child for fun, and that's pretty cool.
I don't know how anyone gets anything done in New York City. I vastly prefer living in the country. I just need a lot of quiet and solitude, and I'm so easily distracted. I mean, the Internet is enough to deal with.
The writing is hard, and the drawing is fun. It's very satisfying to see a drawing start to come together.
Drawing is more fun to me than writing. I think it's interesting to talk to different cartoonists about how those activities work for them. I'm a very writerly cartoonist. I certainly spend more time on the writing than I do on the drawing, even though the drawing, of course, is very time-consuming.
I tend to write first thing, and then do my drawing later. I like to draw at night. But often I go for long stretches without drawing, because I'm trying to figure out what I'm writing.
I try not to have anything too much going on between waking up and getting to work. I like to just be really fresh when I sit down. I always have my best ideas, like, within five minutes of starting. And then the rest of the day is just kind of putting in time.
I wish I had a typical workday. I struggle to get up at seven and almost always fail. I just try to get to my office as soon as I can, but it's always later than I would like.
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