I hate symbolic art in which the presentation loses all spontaneous movement in order to become a machine, an allegory -- a vain and misconceived effort because the very fact of giving an allegorical sense to a presentation clearly shows that we have to do with a fable which by itself has no truth either fantastic or direct; it was made for the demonstration of some moral truth.
Phantoms in general are nothing more than trifling disorders of the spirit; images we cannot contain within the bounds of sleep.
Not one of us can lie or pretend. We're all fixed in good faith in a certain concept of ourselves.
Buffoons, buffoons! One can play any tune on them!
Woman - for example, look at her case! She turns tantalizing inviting glances on you. You seize her. No sooner does she feel herself in your grasp than she closes her eyes. It is a sign of her mission, the sign by which she says to man: "Blind yourself, for I am blind."
The man, the writer, the instrument of the creation will die, but his creation does not die.
Shake yourself free from the manikin you create out of a false interpretation of what you do and what you feel, and you'll at once see that the manikin you make yourself is nothing at all like what you really are or what you really can be!
We all grasp on to a single idea of ourselves, the way aging people dye their hair. It’s no matter that this dye doesn’t fool you. My lady, you don’t dye your hair to decieve other people, or to fool yourself, but rather to cheat your image in your mirror a little.
Here is a piece of earth. If you stand staring at it and doing nothing, what does the earth yield? Nothing. Just like a woman.
Six Characters in Search of an Author.
Blind yourself, for I am blind.
When the characters are really alive before their author, the latter does nothing but follow them in their action, in their words, in the situations which they suggest to him.
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