What's neat about TV is you get really rich, an opportunity to tell really rich stories over the course of 20 hours. Film is cool because it's an hour and a half to two hours. You go on an adventure and by the end it's all cleaned up. Maybe in a franchise you have three chapters of a great story but in TV you can really get deep. You have more time to tell stories so I would definitely not rule out doing television in the future because I think it's a great medium for telling stories.
I was confident and in good shape when I first came to L.A. but nobody would cast me in any well written roles. People assumed based on my looks I was an asshole and a one trick pony. They never let me improv or do comedy. It wasn't until I built a shlubby exterior, which stood in stark contrast to my inner confidence that people gave me room to play.
With moviemaking, you can be halfway around the world for six months. So there are amazing benefits to doing TV, and with the platform change and the way it is, I would never ever rule out doing TV again.
I would definitely not rule out doing television in the future because I think it's a great medium for telling stories. And it can also be practically very nice for a family man to have 9 months out of the year where you're in the city, where you're close to your home.
I surprised myself with my ability to run. It's kind of like tippy toe running. I would not be able to outrun Indominus Rex, but with enough practice I might be able to make it 40 or 50 feet before I was killed.
Film is cool because it's an hour and a half to two hours. It's a great ride. It's typically three acts - beginning, middle and end. It's going on an adventure and by the end it's all cleaned up.
I was sowing wild oats and doing the kind of things that you should do when you don't have kids. Now, I'm just doing less of that, but I earned it, you know. I feel like just spending quiet evenings with my wife and son and sitting in bed in the morning and watching him marvel over the curtains opening or whatever little thing. That all feels really good. And so, I've changed because I'm impressed.
It's weird as actors because I mean we're fortunate in the group of people who have to spend time away from their families. There are men and women serving overseas who certainly have it a lot harder than we do, and there are jobs that take people away from the families, and that's a reality with some jobs that you have. One thing that's really difficult I find is the transition, because not only do you have to learn how to transition to living on your own again, there's a transition that happens learning how to live with somebody again.
You can't help but change when you have a kid, and for me it was just a sense of I didn't feel like anything was missing in my life and it wasn't. It all came at just the right time, and now if I am absent from my son, I do feel like something is missing.
Perfect sandwich? Two slices of white bread, mustard, mayo and a platinum American Express card.
The challenge is not finding the attitude, but it's really just being open and willing to go for it and try different things, and having a director that you can trust. The attitude is not something that I intended or created.
The big challenge for me was just trying to ignore the embarrassment of being an actor. It's a pretty embarrassing thing to do. You've got people pointing cameras at you and hundreds of people watching you, as you're trying to be great. And often, almost every time, you're not.
I'm sure I can't relate to what females go through in Hollywood, but I do know what it feels like to eat emotionally. To be sad and make yourself happy with food, and then be almost immediately sad again, and then ashamed. Then, you try to hide those feelings with more food.
I know that me personally I'm different than anyone else, just like our mothers all tell us we're all very special and unique and we are, and I think if an actor can stick to trying to make the character resemble something from their own spirit it will automatically be unique.
You can't have a laugh track that sort of tells the audience when to laugh and, you know, it's difficult to find those moments.
One thing I've found that's really helpful in our relationship is that she's [Anna Faris] very normal. And I don't mean ordinary - I mean, she doesn't act like a big star or a comic icon or anything like that. She's really down-to-earth and sweet, and we do talk about comedy, about movies, about our careers and possible projects.
I'm happy to try any genre, from drama to comedy and anything in between. Although, to be fair, for most of my career, I've been at the mercy of what people are willing to put me in.
It's really nice to have someone who's intelligent and articulate to talk to about what you're doing, because it's a big part of who we are.
I always thought when I was doing more melodramatic stuff like Everwood that the directors were constantly reeling me in and stopping me from being funny. I've always tried to find a funny angle on things, and 99 percent of the time, it just doesn't work.
If you wait for things to be perfect you'll just miss out on life.
Nick Offerman is my hero. He just cracks me up. He's so funny, but he's a true actor, too - he's bringing so much when he's onscreen.
When you're working with film, you can only shoot one angle at a time, and then everything has to stop, and you re-light it and shoot everything else from the opposite side, so it's really important that you stick exactly to what's written. But with the multi-camera digital setup, you're getting both sides of the scene at the same time, so it gives you that freedom to go off-book.
When you look at pictures of me, the longer my hair is, the longer my facial hair is, that's just the longer I haven't gotten a job.
As an actor it's always easier to shave or cut your hair for a role, but it's hard to put fake hair on or grow hair for a role.
I don't even know how I ended up with the woman that I'm with!
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