Life's challenges are not supposed to paralyze you, they're supposed to help you discover who you are.
If you're in a coalition and you're comfortable, you know it's not a broad enough coalition.
There is nowhere you can go and only be with people who are like you. Give it up.
If, in moving through your life, you find yourself lost, go back to the last place where you knew who you were, and what you were doing, and start from there.
If every moment is sacred, and If you are amazed and in awe most of the time, when you find yourself breathing and not crazy, then you are in a state of constant thankfulness, worship and humility.
If we dwell in a community that is comfortable, then it's probably not broad enough a coalition.
I think the Civil Rights Movement changed that trajectory for me. The first thing I did was leave school. I was suspended for my participation in Movement demonstrations in my hometown, December, 1961
Coming up in the African-American culture, we were taught that we belonged to the universe and society was wrong in the way it dealt with us. We had to learn to express and affirm values not from the winning position.
When I started graduate school I was interested in the culture of the Civil Rights Movement.
Mothering/nurturing is a vital force and process establishing relationships throughout the universe.
Well, the first time I ran into the term religion, people were asking whether you had any. You know, some people had religion and some people didn't have religion
But I'm a historian. I wasn't interested in just being a producer, I was interested in doing research and presenting that research to a general public
The voice I have now, I got the first time I sang in a movement meeting, after I got out of jail... and I'd never heard it before in my life.
I was at the Smithsonian for twenty years, and I'm still at the Smithsonian as a curator emeritus, and I still plan to figure out what that means for me at this point in my life
The Civil Rights Movement also reaffirmed me as a singer. It taught me that singing was not entertainment, it was something else.
Today whenever women gather together it is not necessarily nurturing. It is coalition building. And if you feel the strain, you may be doing some good work.
It makes sense that whatever the topic is, it's more compelling if you can provide the audience with a range of perspectives, and you can cross disciplines. And you don't have to control what people take out of it.
So one of the things that happened with integration in the South is they found that the black teachers were much more educated than the white teachers.
I started graduate school in 1971, I started working at the Smithsonian in the festival in 1972. I went full-time at the Smithsonian in 1974. And I got my doctorate in 1975.
I came out of the Civil Rights Movement, and I had a different kind of focus than most people who have just the academic background as their primary training experience
I went to a church where you could not sing out loud in the service until you had been saved
What would you be like if you had white hair and had not given up your principles? It might be wise as you deal with coalition efforts to think about the possibilities of going for fifty years.
I organized Sweet Honey In The Rock in 1973. The music was sanity and balance.
Personally I discovered that you could go through the academy as a young scholar, come out, and almost immediately have an impact on the academic environment.
Most people come out of their Ph.D. experience trying to prove themselves, trying to get ahead, trying to get published. You're scared everybody else is going to do your research and get your topic.
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