However, there probably is a slight connection between the high-wire, super sensitivity, open to everything and too much, and slightly fragile soul of the artist and the need to self-medicate, which can lead to bad trouble either in drugs, or alcohol. So it's not that there's no connection, it's just that we can't make too much of it because it isn't the addiction that's the issue, it's the fragility of some people who do artistic work, who end up in rehab somewhere or other.
One of the things about parents and children is that there is no way that you go through this without there being mutual anger.
What other people think of me is not really my major concern in life. What other people think of what I write is another matter.
I would prefer you not to say, "That was the most terribly written piece I've ever read." That would hurt me. But you don't think I'm the best person in the world? Well, alright.
You have to have a certain kind of thickening of the hide. I mean, I'm not particularly worried about what other people think. If other people think that I was not the world's most perfect mother, they are completely right.
I have two writer daughters, and a psychoanalyst daughter, and a lawyer daughter, and they wish we didn't write, I'm sure, but we write. If we were a painting family, we would paint.
You really can't say things that upset someone in print and expect them to be nice and leave you their money. That's just not reasonable.
You need your freedom. You need to be able to do what you want to do as a journalist, as a person who's speaking for other women as you speak for yourself, and you make a choice. You have to be tough enough to take the consequences of that choice.
I've told the same story twelve different ways, but I think that's just part of what writers do. Once may not be enough.
People always think their world is coming to an end if they're exposed, and of course it isn't coming to an end; it goes right on exactly the way it always was.
It's true, we tend to write about the same thing over and over again because this is our trauma. If I had been in World War II, I might have been writing about D-Day over and over again.
I think our material is our lives. That's part of being a modern writer, and we have to use it.
My mother had died when I wrote my first book. I was twenty-seven, so it was right at the beginning of my writing life. I don't know if she had lived, if I would have done it, certainly not quite like I did. But, you can't rethink it. You wrote what you wrote, it meant something to other people, and that's your good.
I feel that the world needs writers. We need to know what's really going on.
We have to recognize that it is a very, very painful thing for people to be exposed to their social community, to be exposed in the world, as not what they would have wanted to be seen as. This is very painful and difficult for people.
I don't really think it comes as a shock to every writer if somebody in their family is mad at them. Yes, it's very upsetting. But it's inherent in the process of trying to make sense of one's life, which is what I think is perhaps at the bottom of writing at all.
Many writers do write about their families and their immediate loved ones and love experiences, either as children or as adults. And very often people get offended by it.
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