Jerry Saltz Quotes - Page 7

Quotes about:

• I see around 100 shows a month, going from Niketown-size palaces where you feel like yelling, to storefronts in Bushwick. Each has to pay the bills; keep artists happy; and cope with collectors (oy!), curators (ay-yi-yi), critics (woo-hoo!), and occasionally plumbers. That their fiscal life often hangs in the balance only adds to the energy.

  Jerry Saltz

  Artist, Yelling, Balance

  4 Copy quote

• I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.

  Jerry Saltz

  Art, Jesus, New York

  8 Copy quote

• It took me twenty years to get Steven Parrino's work. From the time I first saw his art, in the mid-eighties, I almost always dismissed it as mannered, Romantic, formulaic, conceptualist-formalist heavy-metal boy-art abstraction.

  Jerry Saltz

  Art, Boys, Years

  4 Copy quote

• It is not possible to overstate the influence of Paul Cezanne on twentieth-century art. He's the modern Giotto, someone who shattered one kind of picture-making and invented a new one that the world followed.

  Jerry Saltz

  Art, World, Cezanne

  7 Copy quote

• In the seventies, a group of American artists seized the means not of production but of reproduction. They tore apart visual culture at a time of no money, no market, and no one paying attention except other artists. Vietnam and Watergate had happened; everything in America was being questioned.

  Jerry Saltz

  Mean, Artist, America

  "Great Artists Steal". nymag.com. May 10, 2009.

  4 Copy quote

• In some ways Lawler is a conceptual Diane Arbus. She's a stalker who takes advantage of situations. She pulls back curtains, causing normal things to look freakish and the freakish to turn mundane.

  Jerry Saltz

  Looks, Way, Normal

  4 Copy quote

• Imagine it's 1981. You're an artist, in love with art, smitten with art history. You're also a woman, with almost no mentors to look to; art history just isn't that into you. Any woman approaching art history in the early eighties was attempting to enter an almost foreign country, a restricted and exclusionary domain that spoke a private language.

  Jerry Saltz

  Country, Art, Mentor

  4 Copy quote

• If the Frieze Art Fair catches on, I imagine at least two great things happening. First, we will once again have a huge art fair in town that isn't too annoying to go to. More importantly, Frieze may finally show New Yorkers that we can cross our own waters for visual culture. That would change everything.

  Jerry Saltz

  Art, Two, Water

  4 Copy quote

• If only we could persuade galleries to observe a fallow period in which, for two months every other year, new and old works of art could be sold in back rooms and all main galleries would be devoted to revisiting shows gone by.

  Jerry Saltz

  Art, Years, Two

  4 Copy quote

• 'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.

  Jerry Saltz

  Art, Ethos, Crumbling

  7 Copy quote

• My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is an ecstatic love letter to all other movies - is Christian Marclay's endlessly enticing must-see masterpiece 'The Clock.'

  Jerry Saltz

  Movie, Christian, Years

  4 Copy quote

• New York being what it is, our museums are vertical, not horizontal. That means the stumbling blocks to architectural clarity are unavoidable - but certainly surmountable.

  Jerry Saltz

  New York, Block, Mean

  4 Copy quote

• New Yorkers only cross water for visual culture if the water is an ocean. The East River throws us for a huge loop. If we started going to Queens and the Bronx for visual culture, many of our rent, space, and crowding problems would be over indefinitely.

  Jerry Saltz

  Queens, Ocean, Rivers

  4 Copy quote

• Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me included.

  Jerry Saltz

  Art, Home, America

  4 Copy quote

• Now people look at 'The Scream' or Van Gogh's 'Irises' or a Picasso and see its new content: money. Auction houses inherently equate capital with value.

  Jerry Saltz

  People, House, Irises

  4 Copy quote

• Of all the biennials, triennials, quadrennials, internationals, and massive group shows, Documenta, established in 1955 and held once every five years in Kassel, Germany, is seen as the most serious. A statement show.

  Jerry Saltz

  Years, Groups, Germany

  4 Copy quote

• Urs Fischer specializes in making jaws drop. Cutting giant holes in gallery walls, digging a crater in Gavin Brown's gallery floor in 2007, creating amazing hyperrealist wallpaper for a group show at Tony Shafrazi: It all percolates with uncanny destructiveness, operatic uncontrollability, and barbaric sculptural power.

  Jerry Saltz

  Wall, Cutting, Creating

  4 Copy quote

• 'The Night Cafe' and 'The Starry Night' still emit such pathos, density, and intensity that they send shivers down the spine. Whether Van Gogh thought in color or felt with his intellect, the radical color, dynamic distortion, heart, soul, and part-by-part structure in these paintings make him a bridge to a new vision and the vision itself.

  Jerry Saltz

  Heart, Night, Color

  7 Copy quote

• Too many younger artists, critics, and curators are fetishizing the sixties, transforming the period into a deformed cult, a fantasy religion, a hip brand, and a crippling disease.

  Jerry Saltz

  Artist, Disease, Hips

  7 Copy quote

• Those who love him love that he sells the most art; they take it as a point of faith that this proves Kinkade is the best. But his fans don't only rely on this supply-and-demand justification. They go back to values.

  Jerry Saltz

  Art, Fans, Demand

  4 Copy quote

• There's something pleasing about large, well-lit spaces. I love that dealers are willing to take massive chances in order to give this much room to their artists. Most of all, I love that more galleries showing more art gives more artists a shot.

  Jerry Saltz

  Art, Order, Space

  4 Copy quote

• I'm not for or against video - or any medium or style, for that matter.

  Jerry Saltz

  Style, Video, Matter

  4 Copy quote

• The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the present. Yet artists, exhibitions, and curators valorize the sixties. People who wrote about these artists 30 years ago still write about them in the same ways, often for the same magazines.

  Jerry Saltz

  Writing, Artist, Years

  4 Copy quote

• There's one Baldessari work I genuinely love and would like to own, maybe because of my Midwestern roots and love of driving alone. 'The backs of all the trucks passed while driving from Los Angeles to Santa Barbara, California, Sunday, 20 January 1963' consists of a grid of 32 small color photographs depicting just what the title says.

  Jerry Saltz

  Sunday, Santa Barbara, Color

  4 Copy quote

• When I criticize Joseph Beuys or Francis Bacon, nobody calls those opinions anti-male. Putting female artists or their subject matter off-limits is itself sexist and limiting.

  Jerry Saltz

  Artist, Males, Female

  4 Copy quote

Page 7 of 9

First

← Prev

1

2

3

4

5

6

7

8

9

Next →

• facebook
• twitter
• googleplus
• email
• linkedin