I just think that the gifts that God has given me and the attention that I have, I just don't feel like acting is the limit of it. I just feel like there's so much more that I could do...And, you know, every day I wake up and I try to do a little more and I just want the world to be different and better because I was here.
You'd be surprised how much you don't understand what other people see your actions as; how other people view the things you say and the things that you do. And a lot of times just clarifying what your intentions are with people makes a huge difference.
There's a forgiveness that literary audiences will give you that film audiences don't give you. It's the two hour construct. You're in there and it needs to climax and finish.
I think that when I make a film, I'm terrified that people will come to work and work on something that they're not proud of.
Because I know that hope and fear are connected, I put my mask of hope on.
I work from almost a dangerous place in my mind sometimes.
Things work in spite of me sometimes.
I'm used to people clapping at the end of the movie.
For me, the greater purpose of the story is just to illuminate some pattern of human truth.
I'm starting to be a lot more comfortable with allowing people to decide for themselves and almost creating a situation that forces people to decide for themselves whether they like it or don't like it or agree with the character or disagree with the character.
The value of a story isn't that it just has a narcotic effect. It's that it awakens something in you that makes you want to think, that makes you talk to other people, that stirs something that makes you examine the story that eventually turns into self-examination.
I think that my sensibilities are becoming slightly less delicate and I'm venturing out in a storytelling world.
For me and my storytelling and the way that I embrace stories in the way that I embrace characters, I desperately needed to know that everything was okay.
Just as a person, just in my life, the way I was raised, my grandmother made it very clear that God will make a way.
I so connected to symbolically being able to turn lead into gold. My grandmother used to say, "Life give you a lemon, you go ahead and make lemonade." To me, that's alchemy.
I believe that I can create whatever I want to create. If I can put my head on it right, study it, learn the patterns, and - it's hard to put into words, it's real metaphysical, esoteric nonsense, but I feel very strongly that we are who we choose to be.
I consider myself an alchemist. An alchemist is basically a mystical chemist, right? And one of the great feats that alchemists used to do is they would take lead - just take a chunk of lead - and they could turn lead into gold.
I want to represent possibilities. I want to represent magic, right, that you're in a universe, and two plus two equals four.
You have to create something in a way that has direction, that it has vision, and then your partner will take it and figure out whatever their expertise is.
You've got to run your career. What happens is a lot of times artists have this talent and they're just looking for somebody to take it and do something with it. And you have to be the creative force.
If you look at somebody like 50 Cent, ain't nobody telling 50 what to do and how to do what he does. He has a vision of who he wants to be, and he instructs everybody along those lines.
When you connect to a primal idea - life, death, hunger, hope, fear - any of those primal ideas are going to translate, and I think that's the thing that I've always been attracted to in my work.
You be as truthful as you can to a specific situation, and it will become universal.
To me, it's science fiction for me to do the things I've been blessed to do in this industry.
I try to connect to human emotion. I'm always looking for something primal, something really base that is beyond language, that people understand beyond language.
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