In terms of black music - the only music that we can call our own, that was really born here - I don't think a lot has been done to chronicle the relations between American history and where black music fits in.
Unfortunately, I made the mistake at one point of putting my address on the back of one of my albums, just to find out what would happen. I received a lot of disturbing mail and calls. Actually, I was living in a hotel, so it was easy enough to find the number. I got a kick out of it for a while. Then I realized what I'd done.
Francis Ford Coppola is completely unconventional. He has a strong sense of loyalty. Great eyes. It's a diabolical undertaking in terms of organization and leadership.
I don't think that you should be perfectly candid and frank about the intimate details of your personal life with the public at large. Subsequently, it creates considerable personal problems.
I never looked at music as a serious venture. There was very little encouragement from my family. I didn't have anybody to entertain, so it was hard to get motivated.
It wasn't good for my nerves, that kind of work - a fireman. I've got high blood pressure. I get upset easily. I don't think that was a proper career alternative for me.
I was a fireman. I lived in the fire station for about a year. The pay wasn't so good. It was kind of like being in the army, or what I imagine that would be like.
Chevrolet was puzzled when they discovered that their sales for the Chevy Nova were off the charts everywhere but in Latin America. They finally realized that "Nova" in Spanish translates to "no go." Not the best name for a car... anywhere "no va."
Leona Helmsley's dog made $12 million last year... and Dean McLaine, a farmer in Ohio, made $30,000. It's just a gigantic version of the madness that grows in every one of our brains.
We are buried beneath the weight of information, which is being confused with knowledge; quantity is being confused with abundance and wealth with happiness.
Mostly I straddle reality and the imagination. My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane.
That for me is more important than anything when you're in the studio - to have somebody you can trust and who knows you, knows who you are and doesn't let you get away with anything.
I'm trying to learn how to write faster.
There's nothing that makes me laugh more than being in the situation where you're not supposed to laugh. Funerals. People crying. Breaking down. Telling you their life. I'm the worst. I'm the worst at that.
New York forces you to be in endless surreal situations.
I don't know what the 'big time' is.
I was always laughing in church.
You just write and you don't try to make sense of it. You just put it down the way you got it.
There's a beauty of show business. It's the only business you can have a career in when you're dead.
The first time I started listening to Irish music, I had a very strong connection. Strangely enough, there's a great many Japanese melodies and vocal styles that sound very much like Hungarian music. You start seeing all these cross-references and comparative, independent musical cultures.
Most changes in music, most exciting things that happen in music, occur through a miscommunication between people "I thought you said this." Poetry comes out of that too.
I'm trying to get music ideas that come and keep them alive. It's like carrying water in your hands. I want to keep it all, and sometimes by the time you get to the studio you have nothing.
I think some bands thrive on the idea of changing instruments. When they're off their real instrument, the ability to go very far from the original idea is reduced.
I can't listen to so much music at the same time. I think you really have to have a diet. You're just processing too much, there's no place to put it. If you go a long time without hearing music, then you hear music that nobody else hears.
I like writing melody without an instrument. It's just so - it's more like the choreography of a bee; you just go.
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