If your subject is crime, then you know at least that you're going to have a real story. If your subject is the maturing of a college boy, you may never stumble across a story while you're telling that. But if your story is a college boy dead in his dorm room, you know there's a story in there, someplace.
The British were doing crime stories first, but the British thing is a very different thing. There, the stories are about restoring a break in the fabric of society. The American thing has never been worrying about breaks in the fabric of society, but about people doing their job, whether it's police procedurals or criminals or whatever.
A grifter's got an irresistible urge to be the guy who's wise. There's nothin' to whipping a fool. Hell, fools are made to be whipped. But to take another pro. Even your partner, who knows you and has his eye on you. That's a score! No matter what happens.
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