Literature sort of makes your daily operation, your daily conduct, the management of your affairs in the society a bit more complex. And it puts what you do in perspective, and people don't like to see themselves or their activities in perspective. They don't feel quite comfortable with that. Nobody wants to acknowledge the insignificance of his life, and that is very often the net result of reading a poem.
In the West you have every opportunity for civilization to triumph.
It's partly the fault of the institutions of education. But it's partly the decision to be relieved of responsibility. Literature is simply the most focused form of the demands on the evolution of the species. It imposes a certain responsibility, moral, ethical and esthetic responsibility, and the species simply doesn't want to oblige.
In general, in America, every discourse in literature in 15 minutes degenerates into a conversation about ethics, morality and this and that. The Holocaust and the consequences of it. Well, I find it terribly boring, predictable and unimportant, because what matters about literature is esthetic achievement.
I don't have principles. I have nerves.
The government, the state, they're just objects of jokes rather than serious consideration. I can't possibly take them seriously.
A man should know about himself two or three things: whether he is a coward; whether he is an honest man or given to lies; whether he is an ambitious man. One should define oneself first of all in those terms, and only then in terms of culture, race, creed.
I grew up in the sort of cultural milieu that always regarded conversations about the political discourse as tremendously low-brow.
I didn't want to be either the cre`me de la cre`me or a martyr. I'd rather be a novelty, especially in a democracy that doesn't understand the language I write in.
In Russia, the moment a person opens his mouth you know where he's from. There's the uniformity of experience of an individual in Russia. When you're about 7 years old you get into school and you get put in this factory or this bureaucracy or whatever. The options are computable. Here it's tremendously diverse.
If I can get somewhere, I'm all right. If not, I'm miserable.
I'm a bad Jew, a bad Russian, a bad everything.
I'm neither Catholic not Protestant. Protestant sounds good but I don't think I am.
If they had wanted to punish me, they should have kept me in a communal apartment. Then I would have become a wreck.
I'm 100 percent Jewish by blood, but by education I'm nothing. By affiliation I'm nothing.
It's rather an exhilarating feeling. It's 6 or 7 when you get up and go out into the fields wearing your Wellingtons or high boots. You know that at this very hour half the nation does the same thing, which gives you, with the benefit of hindsight, a satisfaction in doing those things, too, a knowledge, a sense of the nation. I was a city boy until then.
I was quite happy in Arkhangelsk.Subsequently, I was sent to a village. I liked it in its own way because it sounded to me very much like the tradition of a hired man in any world-class poem. That's what I was, a hired man. I was working for a collective farm.
I'm not trying to be ridiculous or funny, but it was rather pleasant to find yourself in isolation, in solitary.
In America, a metrical poem is likely to conjure up the idea of the sort of poet who wears ties and lunches at the faculty club. In Russia it suggests the moral force of an art practiced against the greatest personal odds, as a discipline, solitary and intense.
Every life has a file, if you will.
I got caught up in the proletariat the way Marx describes it.
I had this fantasy of becoming a neurosurgeon. You know, the normal Jewish boy fantasy, but I wanted to be a neurosurgeon for some reason. So I started in this unpleasant way. I was an assistant to the coroner, opening up corpses, taking the innards out, opening skulls, taking the brains out.
I am quite prepared to die here [in NY]. It doesn't matter at all. I don't know better places, or perhaps if I do I am not prepared to make a move.
What's happening in Russia is devoid of autobiographical interest for me. Maybe it's egocentric. Whatever it is, feel free to use it.
When Thomas Mann arrived in California from Germany, they asked him about German literature. And he said, 'German literature is where I am.' It's really a bit grand, but if a German can afford it, I can afford it.
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