To me, the producing falls into the same as acting. It requires so much time out of your life, and I take it very personally, I realize. So if I do something, it just has to be something I love and I don't want anyone else to do. When I open projects, maybe something will appeal to me. I think I'm not opening them because I don't want anything to appeal to me right now.
I now have faith in those who say they represent a faith. Whereas before I was like, 'Do not give me a lecture on how to live my life when I know I'm a pretty decent human being. I might not go to church every day, but I know I do the right thing or try to. You're going to church and you're still sleeping around on your wife and spending everyone's money. How are you better than I am?' So I've finally met people that walk the walk and it's made me happy, really happy.
Picking roles, my way of choosing them is vastly different now than it was a long time ago, but I can only be that way now because of what I've learned from the past. So I'm choosing now not to choose any work, because when you've had such a nice ride, unexpected rides and fulfilling rides, you really don't want to take a step backwards. It's really made me satisfied in a way that I wasn't looking for, but I was blessed with it and now I feel really full, in a good way, where I don't need to rush out and go find something.
We just assume all the great actors are in New York first and then L.A. second, and it's so not true. There's such amazing talent everywhere. It's exciting that now that there are these sort of new Hollywoods or new filmmaking communities that really benefit from these great faces and character actors and leading actors that just are fresh and exciting and bring an authenticity to the piece.
I'm not saying, "I don't condone plastic surgery." But if you do it, then do it well, make sure you come out looking like yourself. You're comfortable being put under a knife and being disemboweled? Great!
I still think marriage is a goofy institution if you set it up as this institution with a predetermined set of rules. It's unhealthy to have a predisposed expectation of what you think a marriage should be - as this thing at the end of the rainbow. False expectations take away joy.
I don't want to be seen as the kind of person who does things and then expects publicity in return. I look at it as, I happen to have the means, I have the energy and I have the passion to do what I want to do.
People order clothes out of a catalogue, put it on an actor and everything is generic.
The costume designer designing clothes that helped the comedy in The Proposal, that sold the character. Each and every detail was so perfectly thought of, what wouldn't be here? That's a lost art.
I didn't watch any films. This film, The Proposal, had it all in the script. Once all the pieces, once I met Anne Fletcher and I knew what she wanted and that we wanted the same things, and once they said Ryan Reynolds was on board and once the casting came together, you saw what it wanted to be.
I love people in elements that they're not used to.
People who do comedy really are the nastiest people on the planet.
Having to be nice all the time is exhausting and boring, but to play someone who just has that under layer of unhappiness, you know that it comes from someplace.
I'm a good actress. That's why you know me as likable.
It's such a joy to be able to play someone who is angry. It's a joy and a relief.
I really am thankful that I got to do The Proposal movie the right way with people who taught me how to do comedy better.
I mean, yeah, Anne Fletcher was a choreographer, but she was born to be a director. You need to have the ability to figure out people's rhythms. It all starts from the script.
I was so thankful that I got to go back to comedy and I felt bad that I had abandoned something that I guess I was naturally given and lucky to have an loved all of my life, but didn't love it anymore because I didn't get to do it the right way.
I was a little worried that the familiarity would be a little weird, but I think for me everything is musical in my life. For me, timing is a rhythm.
I got away from comedy because it wasn't being done in the way that I loved and the way that I could do it. It made me sad because I felt like it wasn't appreciated and no one was writing it so, 'I'll abandon it.
Ryan Reynolds and I can be doing a scene facing the camera and somehow our back and forth and our rhythm, we know when to stop and when to volley, when to make the sound. It's like music.
I love my comedy too much to bastardize it with bad romantic comedy.
You can't have good comedy without drama in it.
I love good romantic comedies. There just aren't a lot of them. But, I love comedies, and I'll never stop doing them.
If I can do anything in this time of my career, I want to make it easier for other actresses and girls who are growing up to go, 'I get to be a part of a comedy or an action film or a romantic comedy or a thriller or just a romance, without having to wind up with someone to complete us.' I complete me. I just got lucky that, after I completed myself, I met someone who could tolerate me.
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