Up-and-coming musicians can easily reach out and find a loving teacher, and that's definitely what happened to me.
When people say, "Oh, she plays like a dude," it's usually dudes who are the ones saying it. They're saying, "Oh, she's as good as us." Of course, that's a stupid statement.
People are more used to seeing men who are masters at an instrument than women.
There is an assumption that if you're young and pretty, you will get all these opportunities that are way beyond your musical foundation.
It's a pity if someone who has a really profoundly potent art to share chooses not to or doesn't fit into this very thin slice of what's desirable and marketable, chances are the public will never get a chance to hear what they're doing.
I did grow up in a rough neighborhood in Portland, which is an abstract concept for anybody who's rolled through Portland because now it looks like a TV set, literally.
When I read, you know, a rough neighborhood of Portland, I'm like - what? - they didn't have kombucha bars there?
I fear that I won't get better and that I won't have time to practice. To be called a "jazz musician" - it's a big responsibility.
What I'm identifying with is the vision or the idea - whatever was the little nugget that started it.
Whoever you are, if you know what you're doing, you don't want other people to overtake the merit of your art.
You don't have to be fearless to do anything, you can be scared out of your mind.
I am insubordinate by nature. I can't help it.
It's weird sometimes to have people not see me or see what I do.
There's the juiciest music that makes me so happy, music that I need on that deserted island when I'm stranded for the rest of my life, and nobody cares that it's there.
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