My mother isn't particularly vain. Growing up with a parent who put emphasis on personality over looks was important.
I get a lot of fashion gifts, but rarely do I get something that's just fun.
People get intimidated because they think I have everything, but it's just not true.
The idea of giving someone something that I got, that makes me feel sad.
I'm very selfish! I'm only thinking about how I would look in clothes, and not how we as a society might appear in those clothes.
I can never say a line someone else has given me, which is why script meetings on TV shows always go terribly for me.
My relationship with sartorial news is only what I like.
Listen, the idea that I might be a fashion soothsayer is very flattering but completely inaccurate.
I do date quite small men. And one large man! Just one.
We've had distressed edges. We've had culottes. We've had high waisted jeans, we've seen the heralding of the new bootcut back again. I'm so sorry to say this to you, but the only way forward is ultra-hipsters, you know? Like super-low cut, low-rider jeans, to the extreme.
On the same Australian trip, I brought back a pair [of Ugg] for my then boyfriend who was a photographer. He wore them all the time. He used to wear them with Levis twisted jeans and a vintage T-shirt. This is 2002. They looked great on him. I guess it takes a certain kind of man to pull them off but they have other ones that are less typical of this, I think.
I think Ugg went out of being something that Kate Moss and Sienna Miller were wearing in high fashion circles and then they were embraced by everyone. Once something reaches that tipping point of mass popularity then suddenly the fashion world is a bit like, "Wah." As you say, you see them less kind of everywhere now so maybe it's time to bring them back.
English suspenders not American. Could you imagine? Just a pair of knickers and some suspenders. I don't know. How would you wear that? I think this is kind of a cute first date look. A mini sixties Ossie Clark inspired mini dress with a pair on your trotters.
I would say probably Paris [Hilton]. Because to me that's her in character and she kind was always sort of winking at the camera. There was satire I think involved in what she was doing. I like to think there was.
The chihuahua and the pink velour track suit. I think it's kind of an iconic look.
I actually love...Well I love both of them [Paris Hilton or Britney Spears] but I really love Paris Hilton. I interviewed her once, she had a record coming out. She was DJing and promoting that. It was actually only a couple of years ago. She had her persona in tact when I was interviewing her and then after we broke she came for a cigarette with me and I just found it so... she's so intelligent and interesting and obviously is playing the game.
I mean, props to Paris Hilton because she's doing it really well and for someone that's such a wealthy heiress she doesn't really have to lift a finger at all. She was the first example of really strong branding and is obviously a very clever businesswoman. I remember recently they printed in a British magazine, they compared her to Kim Kardashian in the sales of perfume and all of this other stuff. She still makes huge revenue from all of her different business endeavors.
It's shot by Ben Rayner who I think is very talented at doing portrait photography as well as fashion photography. His images never look like a model. You know, it doesn't look like a faceless model just wearing whatever. There's always personality that comes through. That was quite important for me to capture.
I actually found out about Ugg on a trip to Australia, which I guess is where they were born themselves. Everyone was wearing them there, kind of slightly ahead of when they caught on globally. This was in 2002 or so. Just after I left sixth form I was modeling and my best mate was Australian so I went over there to visit her. That was my introduction to the brand.
As soon as that was kind of green-lit, it became very obvious to me what I wanted to do and it was an instinctive reaction to my relationship with how I wear my Ugg boots. Which is in London and in New York, I wear them as soon as I get in basically.
I think there's more room for different representations of women within fashion imagery.
I think modeling is interesting, it's obviously nice to take on a character and go through the process. I'm very lucky that I've been able to do that but I think the challenges that come with the responsibility of art directing something is something that appeals to me. I've done it before in collaboration with other people but it's the first time someone's literally handed it over and been like, "What do you want?" It was really fun to kind of dream up a concept and then execute it with all my friends.
I think as I get older that's an area that I'd like to explore more. Going from being in front of the lens to behind it.
I think the challenges that come with the responsibility of art directing something is something that appeals to me.
I think because I do model for brands but it's never without input, ever. With AG I front their campaign, and obviously designed the collection for them. I did the same back in the day with Madewell. Even with Longchamp, there's a certain amount of collaboration on deciding on photographers and stuff like that. It's something that I'm accustomed to doing behind the scenes.
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