My only regret is that I signed away the world rights and in America they've been far and away my most successful books, but I never saw a cent from any of it.
As I said, I had no publisher for What a Carve Up! while I was writing it, so all we had to live off was my wife's money and little bits I was picking up for journalism.
Contemporary Britain seems an endlessly fascinating place to me - but if I knew a little bit more about other places, and other times, maybe it wouldn't.
But at the same time, I have trouble keeping things out of books, which is why I don't write short stories because they turn into novels.
The more melancholy side of my literary personality is much in tune with BS Johnson's.
I was mainly in a state of nervousness while I wrote it - nervousness that it was far bigger and more complicated than anything Id attempted before, and that maybe my talent just wasnt up to it and the book would have to be abandoned, or would turn out not to work at all when it was finished.
Writers never feel comfortable having labels attached to them, however accurate they are.
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