There can't be art without risk. It's like saying No Sex, and then expecting there to be children.
I'm very proud of my flops, as much as of my successes.
I wanted to write and direct movies and not be forced to adapt them from a bestselling book.
I landed a job with Roger Corman. The job was to write the English dialogue for a Russian science fiction picture. I didn't speak any Russian. He didn't care whether I could understand what they were saying; he wanted me to make up dialogue.
I live near San Francisco in the most beautiful spot on earth and enjoy myself in many ways. Yes, I love to work, which for now is to think and read and write, so it's all a dream come true.
I wanted to be a film student again, as a man in my 60s. To go someplace alone and see what you can cook up, with non-existent budgets. I didn't want to be surrounded by comforts and colleagues, which you have when when you're a big time director. I wanted to write personal works.
They needed someone to write a script of The Great Gatsby very quickly for the movie they were making. I took this job so I'd be sure to have some dough to support my family.
I just admire people like Woody Allen, who every year writes an original screenplay. It's astonishing. I always wished that I could do that.
I know that if a film is ready to emerge out of what I write, I'll be able to go off and make it without asking anyone's permission.
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