You all have a relative who is an expert even though they really don't know what they're talking about.
I do longer runs on things, a lot stories. I really like one-liners, I like a lot of different kinds of standup but I've always been long-winded.
A lot of comedy clubs are set up with people sitting at little tables and you have everything from the way they are seated to them ordering or taking a sip of a drink, these can make a comedian go harder and faster in a club.
Part of standup is being loose and having a good time yourself and that translates to the audience.
It's important to remember that life is a joke and that outlook grants a lot of perspective, but I don't think comedy should change and become political due to other things. It should just laugh at that cosmic joke that life is all the time.
Things have to be funny first, and if they want to have a point, that's awesome.
If something is very, very funny but possibly controversial, if it's truly funny, then it's worth doing. Things aren't worth doing for the sake of being controversial.
I think for many of us - speaking for just a pocket of the country - we trusted Obama. So when you leave your baby with your mom to watch, you don't run home and check the nanny cam. But now we've left the baby with Gary Busey, so we're going to be a lot more on it.
Occasionally you get that one person that says "I really like that one part of this joke" and you go, "Oh thank you that's my favorite part too." But no, in order for it to be authentic hopefully you have jokes that everyone can just get on board with and then you have a few things for yourself.
I have tons of jokes with moments in them over the years in stand-up that don't get a laugh but I love them so they stay.
That was an interesting thing I learned I think the first time I did a late night show or something. It was like, "Oh, this is for the camera and a performance that you're giving to the people at home."
If I was at the Comedy Cellar at midnight you yelled at the back of the room. But you, for television, play it to the camera because yes you're communicating to the people at home using the studio audience that's right in front of you as a guide for that.
Having done stand-up on television and in stand-up specials for like Comedy Central, you learn quickly that for that type of performance you're playing to the camera.
Everyone's very relaxed about brand names in television.
There's [John Mulaney Show] jokes that I have in stand up that I wouldn't try to put in, I would try to have someone just speak extemporaneously in the middle of a scene about an episode of "Law and Order" or something.
With the first episode [of John Mulaney Show] I tell a story that happened to me accidentally chasing a woman down the subway.
I was just trying to blend the standup that I do almost with like the visual sketch stuff that I did on "Saturday Night Live." And so in terms of how elastic in the world is, we'll see what we can get away with [in John Mulaney show].
An episode that is near and dear to my heart is the entire cast in one room for the night because we get bed bugs in our apartment building so we have to stay with Martin Short.
My standup persona is like I'll heighten things, but I'm observing the world as it is in sort of a heightened emotional state.
I also had Elliot Gould and Martin Short and Nasim Pedrad - let alone Zack Pearlman who is going to be a huge star, as is Seaton Smith - out there and I love writing for them and just sitting back and watching them be excellent. And when you are sitting across from Elliott Gould sharing a scene it just raises your game.
I definitely look like a toddler. I feel comfortable and I have a lot of fun out there [John Mulaney Show]. And if I were to be extremely egotistical, I'd say I got a tiny bit better.
Comfort is everything. You start doing something and you want it to be perfect right away, but most babies are born ugly and then they shake it out and you get beautiful toddlers.
I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
I've always believed that you often need less. You don't need to hear why people are friends, you don't need to hear why people are roommates, you don't need to hear why someone would help a friend to do something.
I really set out to do this traditional looking and traditional sounding multi-cam sitcom, but then make the world as elastic as an animated show could be. Make the world as surreal as we wanted it to be.
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