I was of the type who gets bullied rather than the one who does the bullying, which I'm glad about. I'd rather be that than a bully.
Don't overpluck your eyebrows. A make-up artist told me this once, and I've always remembered it.
In British culture, redheads get teased at school. But I've grown up enough to realize I love my hair.
I found going to school when I was modeling very grounding. It's really kept my perspective on bigger things in my life.
There's an inherent contradiction between appreciating the beauty of clothes and creativity and individuality, and the waste around the ideas of trends and seasons.
I kind of see clothes a bit like role-playing, depending what mood I'm in.
I love beautiful things; I like having nice clothes, and I can appreciate why other people do - but I've also started to learn more about the impact of what we buy: how things are made, how much you buy and the quality of everything.
Im just a lipgloss, blush and mascara kind of girl. I like playing with a bright lipstick or a heavy eye... But not together!
Acting is something I've done since I was six years old, performing for my mum and my family in the living room, and I do it because my heart's in it.
Talent is crucial. It needs to be driven by motivation, but blind ambition isn't the key.
Every time I have to try on a wig for work, I get excited about the colour; I've often thought about going for a platinum bob or also raven black, as it looks so great against pale skin. But I always end up being loyal to my red colour.
People do make assumptions about models. That's their issue, not mine. It doesn't bother me because I'm comfortable enough in my own skin - I know who I am.
I have made a living off the way I look, and I have really learnt to accept myself for being unusual.
I think a lot of the most interesting work in art and in films are often kind of polarized opinions and affect people in very different ways, which may be less successful commercially, but they elicit a dialogue that's quite interesting.
I part-own a bookshop for some strange coincidence of reasons, and it is one of the best things I part-own in my life, or own in my life. I do not know, it just feels great.
The need to protect the environment has emerged as an undeniably important priority for me.
Modelling, fashion and film have all encouraged me to learn more about issues and to feel empowered enough to do something about them.
I don't personally follow trends; I don't even like the idea of trends. I think it's kind of absurd that you have to change every six months, so I always try and buy things that hopefully I'll like forever, and resonate with me.
Marilyn Monroe and Vivienne Leigh are real icons of mine. In terms of visual culture, they are both so iconic. There weren't any paparazzi shots of them falling out of taxis, so they will always look so incredible.
It's not that I don't believe in creativity and innovation and new ideas, and the creativity that comes with fashion, which I really respect. But one of my biggest concerns is just how cheap we expect everything to be.
America has had an influence on me, as has going out with a Cuban-American guy and having lots of American friends. But I am still fundamentally British and speak with a British accent and feel very English.
Production chains, how consumers can drive change: all these things may seem at odds with fashion, but arguably, they're not.
I think models have a lot less power than they did in the '80s, when there were, like, only 10 supermodels who could dictate the rules, whereas now there's so many, and that changes the power dynamic and makes it a more insecure business.
I would like better colouration of my legs, like a little less of that English mottled purple thing that makes it necessary to wear tights all the time.
I have to admit I've always had quite a complex relationship with modeling and with the idea of advertising: not always knowing what I'm advertising and selling.
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