In the Thirties, when I was in New York, I did the first surrealistic ballet in a show of mine.
I always liked the Van Gogh story because I was terribly involved in that.
Cedric Gibbons was the grand cardinal of the art department.
I had given up the theater and everything propelled me into entertainment. And I didn't resist it.
Color can do anything that black-and-white can.
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