Waiting for Godot . . . has achieved a theoretical impossibility—a play in which nothing happens, that yet keeps the audience glued to their seats. What's more, since the second act is a subtly different reprise of the first, he has written a play in which nothing happens, twice.
Recall the old story of the rather refined young man who preferred sex dreams to visiting brothels because he met a much nicer type of girl that way.
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