The monsters demand less of you as a writer because they're probably closer to who you are.
In the end you're not made or broken by prizes. Your relationship is with your readers, not a prize, and you just have to keep on honoring that.
I'm afraid a lot of people have lost a lot of money over the years betting on me.
What you're constantly seeking isn't a style, but a transparency between your soul and the words. And your soul is ever in flux, so therefore you have to constantly find new forms of words that might be able to register these changes in the soul.
Literary prizes serve a purpose if they allow for discussion of books.
I think writing should be about change.
You have to attempt to find new forms that will force you to write freshly and better and hopefully more truthfully.
Writing about sex at length is a bit like describing mastication at length. It's the causes and the consequences and the meaning of it that are interesting, not the anatomical descriptions.
I think it's common sense to shy away from the erotic. Perhaps this grand experiment, which started with Lady Chatterley's Lover, of seeing what you can write and how you can write about sex, has reached a certain weary terminus with Fifty Shades of Grey.
Most of us have loved. And the terror for a writer is that readers will forgive you so much, but they won't forgive you one false note about love, about which they too are expert.
Murder and hate are as deeply buried in the human heart as love, perhaps more so, and in truth they're rather entwined, and if you tried to separate them, you'd be missing something important and human.
A writer has to stand outside the page. It's not for the writer to shed tears onto the pages for these characters. It's not for him to suffer or to laugh or to experience ecstasy or agony in the manner of the characters on the pages.
I think empathy's a terrible danger for a writer.
The fallacy is that you have to hold some sort of stake in the grief or horror in order to write about it - I think the opposite is true.
Love is the scent of a sleeping back, death a slight draft of bad breath.
It's a sin for a writer to go looking for camels to put into his or her pages. I only want details that are the story.
We live in a material world, not a dramatic one.
I think it's always wrong of writers to make too much of the pains of their labors, because most people have much worse jobs and suffer such indignities and hardships.
I had some bad jobs when I was young. Writing is not one of them. If you're fortunate enough to reach my age, to still be writing, you have to be grateful, and I am. I've been lucky. For many years, all I've done is writing, and it's all I've ever wanted to do.
I think sometimes writers must attempt to communicate the incommunicable, because, whether they wish it or not, they're the ones to whom it falls.
The enslavement, humiliation, torture, and ultimate destruction of thousands upon thousands of human beings for a project for which there was ultimately no purpose is a horror that's very hard to imagine, far less understand.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: