Wes Anderson Quotes - Page 2

Quotes about:

• The things that are more my own style are something that I don't really have to think about. The only time I have to think about them is if I want to force myself not to do it the way I do it.

  Wes Anderson

  Thinking, Style, Want

  "Wes Anderson Talks MOONRISE KINGDOM, His Next Film, Doing Another Stop-Motion Movie and More". Interview with Christina Radish, collider.com. June 5, 2012.

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• If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.

  Wes Anderson

  Ideas, Trying, Want

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• It's not usually that great of an idea to read lots of reviews of your movies, because even if somebody's saying nice things, there'll still be something in there that pushes the wrong button, and it's not really that helpful.

  Wes Anderson

  Nice, Helpful

  Source: film.avclub.com

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• Do you know how writers often say the characters take over... But that is more or less what it always feels like to me, too. Even though that's just a way of describing how your brain is working, it's still what you tend to feel.

  Wes Anderson

  Character, Brain, Way

  "Interview: Wes Anderson - 'Grand Budapest Hotel' Writer & Director". Interview with Alex Billington, www.firstshowing.net. March 6, 2014.

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• When I see the first dailies on any movie, I usually feel that I had no idea how this combination of ingredients was going to mix together, what it was going to produce.

  Wes Anderson

  Ideas, Together, Ingredients

  "Wes Anderson, Creating A Singular 'Kingdom'". "Fresh Air" with David Bianculli, www.capeandislands.org. May 29, 2012.

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• When something is discovered by people in movie theaters, it's discovered by people who are all together, and there's a sort of feeling of an event about it. And when it's on video, it's like something is being discovered in the library or something. It's like having a second life in public libraries. It's just like individuals, and it's less of a... We can't participate in it the same way.

  Wes Anderson

  People, Feelings, Library

  Source: www.avclub.com

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• Any time someone doesn't like one on the first run, I hope they will give it another shot. At least we'll get another chance. But I do feel, in my approach, I am not really a minimalist. I don't like to leave out ideas that I think could add something to the story. Sometimes, you can't quite pick up on all of it in one sitting. It's not by design. But maybe it's a side effect of my approach.

  Wes Anderson

  Running, Thinking, Giving

  Source: film.avclub.com

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• I love working with actors. That's what the set really is, for me. It's my time with the actors.

  Wes Anderson

  Actors, My Time

  "Wes Anderson Talks MOONRISE KINGDOM, His Next Film, Doing Another Stop-Motion Movie and More". Interview with Christina Radish, collider.com. June 5, 2012.

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• Animating is a very slow, pain-staking process and the animators become the actors at that point.

  Wes Anderson

  Pain, Actors, Process

  "Fantastic Mr Fox - Wes Anderson interview". Interview with Rob Carnevale, www.indielondon.co.uk.

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• the one thing I've observed over the years is the best way to get an actor to not want to play a certain role is to offer it to them. That makes them say, "Well, maybe it's not that good. These guys don't want me to do this..."

  Wes Anderson

  Play, Years, Guy

  "Interview: Wes Anderson - 'Grand Budapest Hotel' Writer & Director". Interview with Alex Billington, www.firstshowing.net. March 6, 2014.

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• The kids are the ones that have a clarity about what they want. They don't have any wisdom, but they do have a clear understanding about what they want to have happen.

  Wes Anderson

  Kids, Understanding, Want

  "Wes Anderson on 'Moonrise Kingdom' and its unfamiliar reality". Interview with Mike Ayers, www.cnn.com. May 24, 2012.

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• The only thing that takes away from it is when they steal some music from one of my movies and put it in a TV commercial. I am not crazy about influencing TV commercials. But if I legitimately influence someone making a movie, I think that is really flattering.

  Wes Anderson

  Crazy, Thinking, Tvs

  Interview with Scott Tobias, film.avclub.com. October 10, 2007.

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• Sometimes when you're editing a movie, you have the thing that you don't expect - which is you make it longer and longer as you go along.

  Wes Anderson

  Editing, Sometimes

  "The World According to Wes". "Conversations with Slate" with Jacob Weisberg, www.slate.com. May 25, 2012.

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• The subject of an outsider who becomes obsessed.

  Wes Anderson

  Outsiders, Obsession, Obsessed

  "Royal leanings". Interview with Richard Matthews, www.telegraph.co.uk. March 13, 2002.

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• A prototype is always more expensive than anything.

  Wes Anderson

  Prototype, Expensive

  "Wes Anderson Interview FANTASTIC MR. FOX". Interview with Steve Weintraub, collider.com. November 27, 2009.

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• I've never had a movie that got great reviews. I've had movies that got different levels of good and bad reviews, but you can more or less count on plenty of bad reviews.

  Wes Anderson

  Levels, Different, Reviews

  "The World According to Wes". "Conversations with Slate" with Jacob Weisberg, www.slate.com. May 25, 2012.

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• Any romantic feelings for a 12-year-old are like entering into a fantasy world.

  Wes Anderson

  Romantic, Years, Feelings

  "Wes Anderson: 'I don't think any of us are normal people'" by Francesca Babb, www.theguardian.com. May 18, 2012.

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• India is a place where one of the great pleasures for a foreigner is that you're constantly surprised. Everywhere you look is something that is either funny, or very moving, but there is always so much that is so unexpected.

  Wes Anderson

  Moving, Unexpected, Pleasure

  Source: film.avclub.com

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• I just now put [Robert Altman] down feeling heartbroken but happily and deeply inspired. . . . Wonderful.

  Wes Anderson

  Heartbroken, Feelings, Inspired

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• My experience with casting children is that... the whole movie is going to rest on their shoulders, so you have to set aside time and wait for the perfect people to appear.

  Wes Anderson

  Children, Perfect, People

  "Wes Anderson, Creating A Singular 'Kingdom'". "Fresh Air" with David Bianculli, wunc.org. May 29, 2012.

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• The thing with animation is that you record the actors like a radio show and then the animators become actors in their own way because it's their job to take this puppets and make them seem alive. They bring their own personalities to the way they move these puppets.

  Wes Anderson

  Jobs, Moving, Personality

  "Wes Anderson on Darjeeling Limited: The RT Interview". Interview with Joe Utichi, editorial.rottentomatoes.com. November 22, 2007.

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• When you finish work, practically everybody in that place is going to watch a movie at night anyway. They're tired. They have dinner. They go up to their room. They're watching TV.

  Wes Anderson

  Tired, Night, Watching Tv

  "Wes Anderson and Adam Stockhausen Talk THE GRAND BUDAPEST HOTEL, Collaborating on the Film, Creating a Lush Cinematic World, and Varying Aspect Ratios". Interview with Sheila Roberts, collider.com. March 26, 2014.

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• Mostly with commercial work, it isn't about personal vision. It's not a personal effort, it's work for hire. That's more my attitude with those. You just want to be a professional worker.

  Wes Anderson

  Attitude, Effort, Vision

  Source: film.avclub.com

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• I will say that Edward Norton, who plays the scout master, would be a first-rate Eagle Scout. He's got all those techniques. If your plane crashes into the jungle somewhere, he would be the guy you would want to have with you.

  Wes Anderson

  Eagles, Play, Guy

  "Biography/ Personal Quotes". www.imdb.com.

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• The animators bring their own spontaneity to it as well, because when they do a take of a shot it really is like just one continuous activity for them. They launch into it and do it, and they're not even quite sure how it's going to turn out when they're doing it. They're sort-of sculpting their way through a scene and trying to make this inanimate object alive.

  Wes Anderson

  Trying, Way, Inanimate Objects

  "Wes Anderson on Darjeeling Limited: The RT Interview". Interview with Joe Utichi, editorial.rottentomatoes.com. November 22, 2007.

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