I like setting up problems for the viewer, like how do you visually deal with a ring when what’s usually in the center of a painting is very important? It's like the main course isn't there and you're having to deal with everything around what would normally be the main course.
I am attracted to generic or 'industrial' colours; paper bag brown, file cabinet gray, industrial green, that kind of thing.
Art feeds off art...and artists feed off artists.
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