The truth of the matter is, you lose a parent to murder when you're 10 years old, and in fact at the time of the murder you hate your lost parent, my mother in my case.
As much as I transferred my mother to Elizabeth Shore of The Black Dahlia, as much as her dad mutated into an obsession with crime in general, well, I have thought about other things throughout the years.
My mother and I will continue on some level that I havent determined yet. I think my mothers a great character, and I have to say that giving my mother to the world has to be the biggest thrill of my writing career.
I don't want to recover from writing this book [The Onion]. I feel very poised. I feel like I'm with my mother for the first time ever. I feel like I've confronted her, and the confrontation goes on.
My role relationship to the event will continue to mutate. My relationship to my mother will continue to change as I revise my judgments of her depending on what I learn about her. It goes on. But I feel no less obsessive about my work and no less passionately committed to the life I have now, but I feel poised inside. Which is a good thing to feel at 48.
My father actually went to college, and my mother went to nursing school, so, you know. I wouldn't... They were actually too square and right-wing to be hip, too well-educated to be white trash, too sexy to be square. They really didn't fit any mold. They weren't really hipsters. They were just - they were two of a kind, those two.
Anything less than total candor was bullshit. I owed that to my readers, I owed that to myself, and I owed that most specifically to my mother. I've had some thrilling moments in my 18-year literary career to this point, and nothing comes close to giving Geneva Hilliker Ellroy, the farm girl from Tunnel City, Wisconsin, to the world.
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