I'm a dreamer. I watch people. You don't try to become them because you could never become any of those guys. But you hope that some of it, you know, comes off on you at some point in your show, some point in your writing, that it happens to you and this light just shines on you.
I've always loved people that's been around for a long time, like old shoes.
Friendship, harmony, and leadership - pushin' people, just givin' people that push, like I would expect them to do for me, they'd do the same for me in return.
I just think, who wants new soul? I want my soul to be the same as Otis Redding, I don't wanna have a new one.
Kids are probably frustrated and egos are too much involved and kids don't know how to get together and be kids and start a group and it's kind of sad because I feel like if you come out with three or four people in the beginning, you can be protected and everybody can shield each other. Before you get out there by yourself and get all these people coming at you. I just think it's not really there.
I would love to go to smaller places in the UK such as Manchester and Liverpool and play there. It's much more intimate; you got to get down and gritty, getting closer to the people.
My UK fans are quite similar to the States but they pay much more attention to the details, that I like. They listen, party, and dance moving through the changing moods of the music with me.
I feel like I have re-created myself on every album. I try to do that. It's like playing a game with yourself, trying to compete with yourself.
When you love what you do, it pays off, and that's the best reward you could have.
I don't really produce so-called commercial pop music so I haven't changed so much. I've been on the one path always.
The reward is when you make the music, not when you get the medal.
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