As soon as there's a crisis, there are people who take charge and want to control others. Climate-change catastrophe and human migration and immigration are great for corporate and governmental control over people, and we have to contend with that. I should say, I see corporate control behind everything that the government is working on right now.
We have a huge struggle for our sense of what a democracy is. We're not living in reality when we think we have some sort of democracy. We're really on the edge. We have two presidents who lost the popular vote but won the election. This is not working.
I might not be able to use the word "hope," but I could certainly use the word "optimism." I'm very optimistic. I don't feel that it helps to be pessimistic. At some point in my life I made a conscious decision that I would try to be optimistic - not blind to anything at all - but to always hear the way that had the best chance for happiness.
It's very hard to track down what's real and what's not real. We haven't absorbed what climate change is doing. Because whether people associate it or not, fear of immigration is completely related to climate change, because the mass migrations that are happening, the war in Syria, all of these structural human migrations are related to climate change.
It is easy to take away the world that we think is so permanent and reliable.
I think one of the most fertile, unexplored areas for poets and fiction writers is the world of science. I become overwhelmed by the science world.
Looking at the shape of the world, I see how we're in a time where women are the subject of hatred, fear, and we have to fight that all the time. I feel that there are fights we take for granted. When I look at the world, I see that women are subject to cruelty. And that's why the global gag rule means so much to me, that the United States wouldn't stand up for the rights and health of women.
The Internet, which seems now so embedded and personal and crucial to our lives, isn't at all - we really shouldn't think of it that way.
Now I'm sixty-one... sixty-two, pretty soon. It's a really interesting age. Now we have women of your age, and coming up, and all these fantastic writers, who have managed to have their children but continue with their art, their work. I think women are doing the most interesting writing right now, the most interesting art. I see everything through this lens, of women finally taking their place in the world. Their true place. And it's very, very exciting to me.
Life will break you. Nobody can protect you from that.
I work really out of mythology, so often I work out of a story that has remained lodged inside somehow, or I work out of history, you know, out of a sense of historical inevitability with characters.
I spend most of my time writing.
I am at the bookstore a lot, but let my friends, the professional Birchbark Books staff, handle the day in and day out.
If only I had discipline, but alas, it is only an obsessive-compulsive trait and the beauty of habit that causes me to return again and again to my work.
I want to remember what bullshit looks like when weapons of mass destruction are diagrammed out and whacko "intelligence" is delivered in an ominous way to strike fear into people and especially to pull on the idealism and zeal of the young.
I make very involved drawings, even little structures, and try using design to figure out the rhythm of a plot. If there are several narrators then a clue has to pop up in the first line. There have to be certain grammatical clues, or distinctive names.
I always have some way of putting the stories together that works for the book. I've always switched points of view in my books. I'm a Gemini.
Being a girl didn't really affect me until I entered junior high and had to wear skirts, curl my hair, and even get used to panty hose. However, my hatred of panty hose helped make me a writer who only wears comfortable clothes. I've successfully avoided panty hose for most of my life.
Sometimes a person's monstrosity seems superhuman.
I have brothers and was a tomboy, if that's still a designation. It wasn't a stretch for me to think and write as a 13-year-old boy - it is freeing.
I had a very free childhood and ranged around on my bicycle the way boys do. I had few restrictions.
There is a legacy of violence against native women that has gotten worse and worse over time.
There are people who are always, I think, going to remain people of the book, to use another author's title, but people of the book, who really must be around.
I think one of the reasons to be here on earth is to finally be who we are, at all times - to know and be predictable to ourselves.
To think about love and passion and political correctness all together, it doesn't work. Art has to go way past the political to be effective.
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