I don't think there's much point in putting me a deep, dark, heavy, emotional film because there are people who do it so much better than I do.
And film acting is incredibly tedious, just by its nature. It's incredibly, mind numbingly slow.
When I think about actors I know, I'd much rather hear about who they're shagging than what film they're doing next.
Japanese women have always loved my films, even when no one else did. Ever since I made 'Maurice' in the 1980s, I've been getting hundreds of letter from Japanese girls. They definitely have a special place in my heart.
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