Jonny Greenwood Quotes - Page 2

Quotes about:

• I was happy using cassettes when I was fifteen, but I'm sure they were sneered at in their day by audiophiles.

  Jonny Greenwood

  Fifteen, Cassettes

  "Dithering: Jonny Greenwood". Interview with Sasha Frere-Jones, www.newyorker.com. September 1, 2009.

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• It's like that scene from The Player when they talk about merging Star Wars and Kramer vs. Kramer, or whatever. You could do that with music and it would just be awful.

  Jonny Greenwood

  Stars, War, Player

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• It's what the Pixies always said about music - they were writing songs and just trying not to be boring. That was their main motivation and it worked for them. I remember reading that and thinking that was the way to do it.

  Jonny Greenwood

  Song, Motivation, Reading

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• I like playing the stuff where I don´t know what I´m gonna play. Like the end of Fake Plastic Trees or the end of Paranoid Android - stuff where I can do anything and no one notices or cares.

  Jonny Greenwood

  Play, Fake, Tree

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• Right now my mind is on the people who stole our instruments, and, specifically, the person with my guitar, which will no doubt end its days having Green Day songs worked out on it. A better fate was deserved - and while the reverence given to guitars annoys me, I shall miss it.

  Jonny Greenwood

  Song, Fate, Guitar

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• I suppose subconsciously I was thinking in terms of having the scale of it matching the scale of the images. Hence the sort of string quartet, jazz band and electronic stuff.

  Jonny Greenwood

  Thinking, Band, Stuff

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• Rock music is quite big in India - but it mostly just replaces all the intricacies of Indian rhythms and Indian melody with lumpen rock drumming and power chords.

  Jonny Greenwood

  Rocks, India, Drumming

  "Radiohead's Jonny Greenwood and Shye Ben Tzur Talk Junun Project". Interview with Jazz Monroe, pitchfork.com. December 3, 2015.

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• Composers are influenced by all the important music in their lives - and I suppose that since radio started playing popular music, that's as likely to be The Beatles or Aphex Twin as it is to be Verdi or Ravel. They'd be strange teenagers if they didn't. But cross-pollinating happens too - Aphex Twin did more interesting things with electronic music than most trained composers, who seemed to approach samplers with undue caution and reverence in those early days.

  Jonny Greenwood

  Teenager, Interesting, Important

  Source: thequietus.com

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• Maybe I'm used to religious music being gentler in the classical world.

  Jonny Greenwood

  Religious, World, Used

  "Radiohead's Jonny Greenwood and Shye Ben Tzur Talk Junun Project". Interview with Jazz Monroe, pitchfork.com. December 3, 2015.

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• I can remember soundtracks that you just can't separate from the film - It's just so intertwined, so important. Like the Hitchcock ones where they kind of inform each other and become this larger thing as a result.

  Jonny Greenwood

  Important, Kind, Remember

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• I worry about being a fogy and just writing for orchestras. Like, really, I should be doing more electronic stuff, I feel. Laptops as part of the orchestra, and installation sound, and speakers.

  Jonny Greenwood

  Writing, Worry, Sound

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• I think I'll always feel a little in awe whenever I see someone in their 20s or 30s carrying a cello or violin case - because I know, if they're doing it professionally, how many years of practice have gone into being able to make music with them. And the sounds they can make just hit me very hard, and feel full of limitless complexity.

  Jonny Greenwood

  Thinking, Limitless, Complexity

  Source: thequietus.com

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• People will have MP3s of every Miles Davis' record but never think of hearing any of them twice in a row - there's just too much to get through.

  Jonny Greenwood

  Thinking, Mp3, People

  "Dithering: Jonny Greenwood". Interview with Sasha Frere-Jones, www.newyorker.com. September 1, 2009.

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• But I was in the Radiohead studio today and Phil was there drumming and Thom was there playing. We feel like we've only just stopped and already people are wanting us to carry on.

  Jonny Greenwood

  People, Drumming, Today

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• Composers are influenced by all the important music in their lives - and I suppose that since radio started playing popular music, that's as likely to be The Beatles or Aphex Twin as it is to be Verdi or Ravel.

  Jonny Greenwood

  Music, Important, Ravel

  "Music (For A Film): Jonny Greenwood Of Radiohead Interviewed". Interview with Chris Woolfrey, thequietus.com. February 18, 2014.

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• Every American college student goes to college with a hard drive. They take their laptop. There's not a CD player in sight.

  Jonny Greenwood

  Player, College, Sight

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• I remember when I was in my late teens just getting rid of lots of records, realizing I only ever listened to them when I was reading, or watching TV, or doing something else.

  Jonny Greenwood

  Reading, Watching Tv, Teens

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• I sometimes feel a bit embarrassed to play guitar. There's something - I don't want to sound ungrateful - but there's something very old-fashioned and traditional about it. You meet kids today whose grandparents were in punk bands, really. It's very old and traditional, But then, you know, so is an orchestra and so is the string section.

  Jonny Greenwood

  Kids, Guitar, Play

  "Radiohead's Guitarist Adapts To Life In Widescreen". "Weekend Edition" with Scott Simon, www.npr.org. September 15, 2012.

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• I suppose, counting back, if the Beatles had been influenced by music in the same length of time ago - you'd have to put that into better English for me, thank you - they would have been like a banjo orchestra. They would have been doing show tunes.

  Jonny Greenwood

  Thank You, Tunes, Orchestra

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• My style is so tightly tied in with our songs that I don't think you could even ask me to quit Radiohead and play guitar for another band. I don't think I could do it. It would probably reveal me to be the bluffer that I believe I am. That's how it feels. I wouldn't have the confidence to do anything but this.

  Jonny Greenwood

  Song, Believe, Thinking

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• I trust microphones, speakers and recordings less and less, and no longer buy into the idea that I can recreate at home, or in my earphones, the experience of hearing live acoustic instruments. The orchestra is already a set of speakers that react differently to each player, each room and each concert - it's that high level of uncertainly and unrepeatability that I like. The music is just soaked into the walls of a room straight from the instruments - and it's a one-off deal. The alternative - left speaker, right speaker - is kind of a compromise.

  Jonny Greenwood

  Wall, Home, Player

  Source: thequietus.com

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