I've never seen, heard, nor smelled an issue that was so dangerous it couldn't be talked about. Hell yes, I'm for debating anything!
My hand trembles, my heart does not.
Each environment has its own signature. Sound tells a story: You make choices about what you're hearing, where to look, how you want to feel about what's going on.
I believe there's a landscape that exists underneath everything that we can see in present-day stuff. And I think that makes life kind of a detective story.
To be able to rely completely on the actors was a very simple process for me.
Dark impulses certainly exist in me and, I think, in most people.
I've always been a bit of a sound freak in the movies I've done.
We shoot double episodes in 15 days in Los Angeles.
There's no attempt to manipulate the audience. We made our choice at the start.
I directed 24's pilot. I felt we should follow the characters around as if we were a documentary crew, using available light, hand-held cameras, split screens, sound that isn't always what it should be, to suit the reality of the premise.
I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 150 people waiting for me, all wearing masks of my face.
I have an adult emotional life and an editing system inside me which prevents me from being preposterously stupid.
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