My hope is that countries like Morocco will have investment to create work, so people don't have to leave.
We must stop posing as victims of the West and behaving negatively towards the West. We must participate with the West on an equal footing in the reconstruction of the world.
The mistake we make is to attribute to religions the errors and fanaticism of human beings.
I read a poem every night, as others read a prayer.
I am a guest of the French language. My poems in French are born of my interaction with the French language, which is not the same as that of a French poet.
Beauty is first and foremost an emotion.
Religion has to stay in the heart, not in politics. It is private.
I came to poetry through the urgent need to denounce injustice, exploitation, humiliation. I know that's not enough to change the world. But to remain silent would have been a kind of intolerable complicity.
Most of those who died did not die of hunger but of hatred. Feeling hatred diminishes you. It eats at your from within and attacks the immune system. When you have hatred inside you, it always crushes you in the end.
We have no Arab intellectuals of international stature because we live in a state of generalized mediocrity. We are suspended in the pit without touching the bottom.
My sensibility steers me toward writers who are out on their own.
It is through accepting other people in our own countries that we shall come to respect our neighbours and be respected in our turn.
Real friendship, like real poetry, is extremely rare - and precious as a pearl.
I write about wounds, the eternal treasons of life. It's not very funny, but it's sincere. My commitment is to sincerity.
People must insist on the right to say no, to be alone, to stand out from the herd. Creative artists can say all this in their own way and in their own field, by hard, rigorous work.
The power of the word in Morocco belonged to men and to the authorities. No one asked the point of view of poor people or women.
Poetry is a form of mathematics, a highly rigorous relationship with words.
Our steps invent the path as we proceed; behind us they leave no trace, only the void. So we shall always look ahead and trust our feet. They will take us as far as our minds will go... -- Tahar ben Jelloun
Be vigilant, for nothing one achieves lasts forever.
There is an important erotic element in A Thousand and One Nights, which is one of the keys to understanding the Orient.
My characters are driven by a passionate desire for justice. They are rebellious and incorruptible.
In the Arab world, there is no link between the cultural habits of peoples and the ways of thinking and creating of modern intellectuals. They are two separate worlds.
I am a Moroccan writer of French expression.
This universe can very well be expressed in words and syllables which are not those of one's mother tongue.
I am glad to have found a readership, but one can’t write only what is likely to sell. A writer is not a shopkeeper. A writer creates an imaginary world that he transmits to others.
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