Pauline Kael Quotes About Film

Quotes about: Film

• if you think it so easy to be a critic, so difficult to be a poet or a painter or film experimenter, may I suggest you try both? You may discover why there are so few critics, so many poets.

  Pauline Kael

  Thinking, Trying, May

  Pauline Kael (1994). “For keeps”, E P Dutton

• The movies have been so rank the last couple of years that when I see people lining up to buy tickets I sometimes think that the movies aren't drawing an audience - they're inheriting an audience. People just want to go to a movie. They're stung repeatedly, yet their desire for a good movie - for any movie - is so strong that all over the country they keep lining up.

  Pauline Kael

  Country, Strong, Couple

  Pauline Kael (1996). “Raising Kane and Other Essays”, Marion Boyars Publishers

• There seems to be an assumption that if you're offended by movie brutality, you are somehow playing into the hands of the people who want censorship. But this would deny those of us who don't believe in censorship the use of the only counter-balance: the freedom of the press to say that there's anything conceivably damaging in these films - the freedom to analyze their implications. How can people go on talking about the dazzling brilliance of movies and not notice that the directors are sucking up to the thugs in the audience?

  Pauline Kael

  Movie, Believe, Thug

  "Stanley Strangelove". Review of "A Clockwork Orange" in January 1972. "Deeper into Movies". Book by Pauline Kael, www.visual-memory.co.uk. 1973.

• Before seeing Truffaut 's Small Change, I was afraid it was going to be one of those simple, natural films about childhood which I generally try to avoid I'm just not good enough to go to them. But this series of sketches on the general theme of the resilience of children turns out to be that rarity a poetic comedy that's really funny.

  Pauline Kael

  Children, Simple, Small Changes

  Pauline Kael (1980). “When the lights go down”, Henry Holt & Co

• Is there something in druggy subjects that encourages directors to make imitation film noir? Film noir itself becomes an addiction.

  Pauline Kael

  Addiction, Directors, Noir

  Pauline Kael (1989). “Hooked”, E P Dutton

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