I do what I did as a hobby as a kid, you know, and make a living at it. And I just feel like I'm one of the luckiest guys in the world 'cuz I get paid to make toys and play with them.
I can't tell you how many people would say to me as a teenager, 'Why don't you grow up and start thinking about getting a real job?
I've said this so many times but there's a magic when you have a really good actor in a really good makeup.
The problem I have with schools is, people are taught, 'This is how you do this.' They're not taught about why you do this.
It's a funny relationship that makeup artists have. I always feel kind of like a dentist. People look at me and think of pain.
I wanted to make sure to always stay current, try to find new material and stay with the modern techniques.
When you're working on a movie you always hope that people will go for it and enjoy what you're doing.
Sometimes we think of a creature like a person in a suit, but then you have limitations of two eyes and two legs - they have to see and breathe. I got more into puppetry because it offered more possibilities.
I'm not a big gore hound but monster gore is different to me than killing a teenager in any way that you can when another human-like person does it. I don't know how I rationalize that really but it seems different to me.
It's funny: I've been very successful and done a lot of films, and I don't really have an agent - I don't really pursue jobs, I let people come to me.
I'm not really listed anywhere; I don't know how people find me!
There's a limit to what I can do with a makeup or with animatronics.
There are so many decisions in making a movie.
When my parents died, it became clear to me that there was an end in sight. Death was never a real thing to me. And then when that happened I realized I only have so many years left, if I'm lucky.
It's fun doing new things.
Usually people who are in my position, they run a company and they hire people and then they take the credit for it.
When I do a mask, I do try to put a lot of character and a lot of expression into the sculpt.
So many people of my generation all grew up with that shock theater package on television of 'Frankenstein,' 'Wolfman,' 'Dracula,' 'Mummy,' all the Universal stuff.
I'm amazed that movies ever get finished at all - much less come out good once in a while. It's an awful lot of work and it can go wrong a thousand different ways.
I used to have to save my allowances to buy a quart of rubber to make a mask, and it's how I spent all my free time.
So many of my dreams were to actually be able to make a living of what I did as a hobby.
I was born in 1950 and watched science fiction and horror movies on TV and was always really fascinated by them.
The first time I made myself up, I was looking at my reflection in the mirror and it wasnt me looking back. It allowed me to do things I couldnt do as myself. I found out how powerful that was and how much that can mean to an actor.
I do a lot of CG stuff for fun.
I hate wasting time or money and that happens all the time for no good reason, and then people save money by skimping on the important things.
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