Mike Leigh Quotes - Page 3

Quotes about:

• Some of my favorite movies are Hollywood movies. Hollywood is part of the cinematic spectrum. I nurture a healthy love-hate relationship with Hollywood.

  Mike Leigh

  Hate, Healthy, Hollywood

  Interview with Chloe Veltman, www.believermag.com. March/April 2009.

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• I take no notice of the trends. It has never concerned me at all. My job is to deal with what I want to deal with and reach an audience by doing so.

  Mike Leigh

  Jobs, Trends, Want

  Interview with Max Miller, bigthink.com. October 7, 2010.

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• I know, that trends and all of those things and formulae that calculate what audiences want to see and what audiences don't want to see and various other demographic demarcations are the eccentric and ludicrous prerogative of Hollywood studios. But out there in the real world - by which I mean the rest of the world where we make truthful organic films, independent films unimpeded by interference - it's not about all those sort of calculating what is commercial. It's about wanting to say things and saying them in a way that will get through to people.

  Mike Leigh

  Real, Mean, Independent

  "Big Think Interview With Mike Leigh". Interview with Max Miller, bigthink.com. October 7, 2010.

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• I grew up looking at... going to the movies a lot, as much as they'd let you. I grew up in Manchester in the north of England in the '40s and '50s. I saw a lot of movies. They were all Hollywood and British movies. I didn't see a film that wasn't in English until I was 17 when I went to London to be a student.

  Mike Leigh

  Hollywood, London, Saws

  "Big Think Interview With Mike Leigh". Interview with Max Miller, bigthink.com. October 7, 2010.

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• I can't really see how anybody could be particularly optimistic about the future in general because we are destroying the planet.

  Mike Leigh

  Optimistic, Destroying, Planets

  Interview with Max Miller, bigthink.com. October 7, 2010.

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• I have to get out of bed every day to make something happen.

  Mike Leigh

  Bed, Happens, Things Happen

  Interview with Chloe Veltman, www.believermag.com. March/April 2009.

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• Very occasionally I hire an actor and get it wrong. The actor just doesn't trust the process or me as fully as I thought they would. In this case, you can be quite sure that if an actor is untrusting, it's got nothing to do with me or the process.

  Mike Leigh

  Actors, Process, Cases

  Interview with Chloe Veltman, www.believermag.com. March/April 2009.

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• The notion that acting is simply about intuitively responding to situations the way you feel couldn't be farther away from how I ask actors to work.

  Mike Leigh

  Acting, Actors, Way

  Interview with Chloe Veltman, www.believermag.com. March/April 2009.

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• Films are made all over the world all the time and only a thin slice of that product is Hollywood.

  Mike Leigh

  Hollywood, World, Film

  "Big Think Interview With Mike Leigh". Interview with Max Miller, bigthink.com. October 7, 2010.

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• What I do is to collaborate with each actor and work one-on-one to create a character. And that is a matter of huge complexity and is a combination of a great deal of discussion and a lot of practical work. It involves a lot of consideration for the real people out there, and all kinds of sources of real people. The result is the character. But I'm not supposed to talk about what it is we do, because it's nobody's business.

  Mike Leigh

  Real, Character, People

  Source: www.avclub.com

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• I hate period films - and there are plenty of them - where they say, "Let's not do contemporary language because the audience won't understand it;" "let's not make the girls wear corsets, because it's not sexy" and all that sort of thing. Gradually it disintegrates into a no man's land: you don't really believe it's a period scene and it doesn't feel like it's now because it's not now. You don't feel it's quite real and you don't believe in it.

  Mike Leigh

  Girl, Sexy, Hate

  Source: www.interviewmagazine.com

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• The problem with the British film industry is the nervousness and insecurity about - and genuflection toward - Los Angeles.

  Mike Leigh

  Insecurity, Problem, Film

  Interview with Chloe Veltman, www.believermag.com. March/April 2009.

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• People have been very resistant to giving me more than the standard amount of money. So I keep making films on a similar scale. Which is fine, but also frustrating.

  Mike Leigh

  People, Giving, Film

  Interview with Chloe Veltman, www.believermag.com. March/April 2009.

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• A lot of the reasons that I'm resistant to making films in the U.S. have nothing to do with not doing a film in Hollywood, but rather to do with what I'm committed to working on in the U.K. I feel very committed to the British film industry and infrastructure.

  Mike Leigh

  Hollywood, Film, Reason

  Interview with Chloe Veltman, www.believermag.com. March/April 2009.

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• You will find hardly any improvising on camera anywhere in my films. It's very structured, but it's all worked out from elaborate improvisations over a long period, as you know.

  Mike Leigh

  Long, Cameras, Film

  "Lynne: People quote your films at parties. Mike: Those are lousy parties". Interview with Lynne Ramsay, www.theguardian.com. February 3, 2005.

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• I'm developing the stuff all the time. There's a film in my head. I'm imagining a film.

  Mike Leigh

  Stuff, Film, Developing

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• I've walked out of films. But for every film I've ever walked out of, I've probably walked out of 500 plays.

  Mike Leigh

  Play, Film

  "Mike Leigh: 'Creativity is a life-blood for people'". Interview with Miranda Sawyer, www.theguardian.com. April 09, 2011.

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• I think it’s important that nobody forgets that although Hollywood commercially dominates the world cinema, in fact what comes out of the filmmaking here is only a tiny slice out of the massive amount of operation that goes on around the world.

  Mike Leigh

  Thinking, Important, Hollywood

  "The Auteur, The Voyeur: Mike Leigh Talks". Interview with Durga Chew-Bose, www.interviewmagazine.com. October 8, 2010.

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• Film-makers should remain true to their principles and never compromise, there is a real revival in the British film industry but there is a danger that we will become colonial servants of Hollywood. We need to maintain our own integrity.

  Mike Leigh

  Integrity, Real, Principles

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• But actually I make films that I think are extremely sophisticated and cinematic.

  Mike Leigh

  Thinking, Film, Sophisticated

  Interview with Scott Tobias, www.avclub.com. November 23, 2008.

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• I'm old enough to have friends and contemporaries who have long since retired, and that's their prerogative - enough is enough; it doesn't mean a thing to me. But I haven't got any money, so, you know, I just keep on working.

  Mike Leigh

  Mean, Long, Enough

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• It creeps up on you and becomes an obsession. It comes out of watching a million movies.

  Mike Leigh

  Obsession, Creeps, Millions

  Interview with Derek Malcolm, www.theguardian.com. October 7, 2002.

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• Resolve was never stronger than in the morning, after the night, when it was never weaker

  Mike Leigh

  Funny, Morning, Night

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• My work requires acting at its most committed - it demands actors of enormous resilience, but also intelligence and wit. It doesn't work for narcissistic or selfish actors.

  Mike Leigh

  Selfish, Resilience, Acting

  "Mike Leigh: 'Creativity is a life-blood for people'". Interview with Miranda Sawyer, www.theguardian.com. April 9, 2011.

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