The U.S. is a great government, is a great country. The U.S. did sign the Paris Agreement. It's extremely aggressive to decide on its own just to leave, and no way to push the others to renegotiate because one decided to leave the floor. It doesn't fly. I think it's a big responsibility in front of history, and I'm pretty sure that my friend President Donald Trump will change his mind in the coming months or years. I do hope.
What we learn from the past is that you cannot make peace against people by interfering and - and just launching a war and trying to change a regime without any political solution. So my role is first to avoid any war and try to - to frame the discussion in order to create peace and have a comprehensive peace process and preserve unintelligible and especially in this Middle East region. That's what I tried to do in Lebanon, for instance, by negotiating both with M.B.S., with the Lebanese government.
I do respect Donald Trump. And I think he has a very strong view in terms of security. And we are very strong allies and we work very closely together in Middle East and in order to fight against terrorism. But we didn't agree on two to three issues, and the very first one was on climate. And what it told me is that I took a commitment vis-à-vis my voters. And I told them it was not good for the U.S. and especially the U.S. workers. I tried to convince them. I do believe that on the mid- to long-run it's not true. And I do believe it's important to have on board the U.S. government.
I think our responsibility as political leaders today, is to push our economic leaders to change their investment behavior, to decide new things, and to help workers to change their jobs. And I think the mistake that Donald Trump decided to make is exactly the mistake we made in France and in Europe. Which was to resist to the change in order to protect the old jobs. What we have to protect is people, not jobs. If you want to protect people, you retrain them.
Today we're full of liquidity in money. And what you have to do is to convince big money to change the mindset and reinvest in these new activities to accelerate this change and create new jobs.
When we speak about climate change, you're a victim of something ... which is happening with deep roots where you don't have - anything to deal with. And people just want to choose a life. That's very much important. And I think one of the key elements of the collective battle we have today, in order to fight against climate change is to provide people the ability to choose a life. To have a better life by behaving differently, by innovating, by creating new type of companies and startups, new type of activities.
I want to open up this palace . A concert will be held. We have invited school classes from socially disadvantaged neighborhoods and Élysée Palace staff and their families. That's 200 people who normally wouldn't have access to this building. Living in a place like this also means sharing it with others.
Our children and grandchildren visit us regularly in the Élysée Palace . The little ones are constantly running around outside in the garden. The first time they were intimidated by this place, but now they move around here totally normally. I think it is important that people really live in this place.
There is something very powerful about German music. That's why I chose German music with a European meaning for the day of my election.
I read each evening, at night and whenever possible during the day when I am traveling. I have always read.
Amadeus Mozart is to music something like Jean Nicolas Arthur Rimbaud was to literature. They are people who created something that nobody before them had. Absolute geniuses. You can recognize their harmonies among thousands.
I come from a family in which music was important, especially German music - from I come from a family in which music was important, especially German music - from Johann Sebastian Bach to Ludwig van Beethoven. I played a lot of piano, mostly Bach. I really loved Glenn Gould's interpretations. to Beethoven. I played a lot of piano, mostly Bach. I really loved Glenn Gould's interpretations.
My father read Günter Grass. He introduced me to German literature. I believe the first book I read by a German author was from Grass. After that, Thomas Mann accompanied me for a few years during my literature studies. I tried again and again to read the original German text, but I never really succeeded.
The story of my grandmother is that of a French woman from the provinces who through her perseverance and thirst for knowledge worked her way up to become the head of a school. She belonged to a generation that didn't travel much. But she believed in Europe and she wanted Europe. And she read a lot - she knew mythology, literature and the classics very well. She passed that on to me, along with the conviction that you can earn your own position in society.
In political life, dissatisfaction is remedied, or at least combated, through action. For as long as you are not totally satisfied, you remain active and keep going. In literary life, at some point you have to stop and allow others to read what you have written. I find that difficult. I am probably too proud. In any case, that is why I have never published anything. But I do plan to do so one day.
I thoroughly believe that reading and literature can help a society to better understand itself.
I do write, but for now I am keeping it all in the desk drawer. I have always written. The only book that I have published was "Revolution," during the election campaign, a book that contains both personal and political chapters. I have never been happy with what I have written, including three novels that, from my point of view, are incomplete.
I am very interested in writers from the Francophone world. I like Kamel Daoud a lot, for example. In "The Meursault Investigation" and "Zabor," he shows a passion for the French language, a very special way of writing that belongs to those who live on the other side of the Mediterranean Sea. It is language that connects us. It allows people there to cling to our history, our culture and sometimes also our values.
We cannot create jobs without company owners, the state cannot create jobs by decree.
Michel Houllebecq is surely the novelist who best describes contemporary phobias and fears. He also succeeds perhaps like no other in portraying the postmodern character of our society. He addresses the possibilities of genetics at times, or Islamism, and infuses all of it with a certain amount of absurdity. I get a very strong sense of that in "Submission." The way he toys with the absurd makes him an author sui generis, one who stands out from the others.
I am not from the political or banking elite. I am a child of the middle class far from Paris. And if someone had told me that success is bad or if they had placed hurdles in my path, I wouldn't be where I am today. I want it to be possible for young people in our country to be successful - whether they want to find that success in the family, as an artist or by founding a company.
I refuse to give into the sad reflex of French envy because this envy paralyzes our country.
We aren't protecting the people who most need it when those who can contribute to the country's success emigrate. Contrary to what some claim, I am not getting rid of the wealth tax to help the rich.
It is my duty to say: Something has to change. I say that very directly, in clear words so that nobody can misunderstand me. And I believe in our new initiative for continuing education and vocational training. For French people who are socially disadvantaged, this means real recognition and support.
My predecessor taxed wealthy, successful people at a higher rate than ever before. And what happened? They left. And what came of it? Did unemployment drop? No.
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