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  • The critic is genius at one remove; he is not unlike an actor on the stage, and incarnates in his mind, as the actor embodies in his person, another's work; only thus does he understand art, realize it, know it; and having arrived at this, his task is done.

    George Edward Woodberry (1914). “Two Phases of Criticism, Historical and Aesthetic: Lectures Delivered on the Larwill Foundation of Kenyon College, May Seventh and Eighth, 1913”