Cutting straight into color reminds me of the direct carving of the sculptor.
I love to study the many things that grow below the corn stalks and bring them back to the studio to study the color. If one could only catch that true color of nature - the very thought of it drives me mad.
We all should know that diversity makes for a rich tapestry, and we must understand that all the threads of the tapestry are equal in value no matter what their color.
People observe the colors of a day only at its beginnings and ends, but to me it's quite clear that a day merges through a multitude of shades and intonations with each passing moment. A single hour can consist of thousands of different colors. Waxy yellows, cloud-spot blues. Murky darkness. In my line of work, I make it a point to notice them.
Colors pursue me like a constant worry. They even worry me in my sleep.
Colors fade, temples crumble, empires fall, but wise words endure.
Who told you that one paints with colors? One makes use of colors, but one paints with emotions.
I ripped through the blue shade of the constraints of color.
Blue is the only color which maintains its own character in all its tones it will always stay blue; whereas yellow is blackened in its shades, and fades away when lightened; red when darkened becomes brown, and diluted with white is no longer red, but another color – pink.
If artists do see fields blue they are deranged, and should go to an asylum. If they only pretend to see them blue, they are criminals and should go to prison.
Colour is as variable and evanescent in the form of pigment as in visible nature.
When the color achieves richness, the form attains its fullness also.
Artists can color the sky red because they know it's blue. Those of us who aren't artists must color things the way they really are or people might think we're stupid.
Color is a plastic means of creating intervals... color harmonics produced by special relationships, or tensions. We differentiate now between formal tensions and color tensions, just as we differentiate in music between counterpoint and harmony.
Fall is my favorite season in Los Angeles, watching the birds change color and fall from the trees.
The makeup is simply an extension of the personality and colors, clothing, makeup all express something.
But what I attach great importance to is observation of the movement of colors. It is only in this way that I have found the laws of complementary contrast and the simultaneity of those colors that nourish the rhythm of my vision. There I find the representative essence — which does not arise from a system or an a priori theory.
There is no model, there is only color.
I wouldn't use the same color in a picture in more than one place
The use of expressive colors is felt to be one of the basic elements of the modern mentality, an historical necessity, beyond choice.
Not only can color, which is under fixed laws, be taught like music, but it is easier to learn than drawing, whose elaborate principles cannot be taught.
It almost always happens that true, but exaggerated, coloring is more agreeable than absolute coloring.
It's a good thing that when God created the rainbow he didn't consult a decorator or he would still be picking colors.
Oh yes! He loved yellow, did good Vincent...When the two of us were together in Arles, both of us insane, and constantly at war over beautiful colors, I adored red; where could I find a perfect vermilion?
Color is everything. When color is right, form is right.
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