I dream of a Digital India where the world looks to India for the next Big Idea.
I dream of a Digital India where e-Commerce drives Entrepreneurship.
The entire Nation has joined hands to make the dream of a Digital India into a reality. Youngsters are enthusiastic, industry is supportive and the government is proactive. India is yearning for a digital revolution.
I dream of a Digital India where quality healthcare percolates right up to the remotest regions powered by e-Healthcare.
I dream of a Digital India where farmers are empowered with real-time information to be connected with Global Markets.
Those who applaud social production and networked amateurism, the colorful cacophony that is the Internet, and the creative capacities of everyday people to produce entertaining and enlightening things online, are right to marvel. There is amazing inventiveness, boundless talent and ability, and overwhelming generosity on display. Where they go wrong is thinking that the Internet is an egalitarian, let alone revolutionary, platform for our self-expression and development, that being able to shout into the digital torrent is adequate for democracy.
I dream of a Digital India where access to Information knows no barriers.
Major theme of the book ["Hotels of North America"], from my point of view: what is persona, what is self, in the digital sphere, and/or what is the effect of it on self in a prolonged interaction.
If I have to shoot on digital, I will not make the film.
No matter what, I will always choose practical FX over digital ones. Blood spray pumps and squibs go a long way in convincing the audience that the carnage on screen happens right there, in a manner that digital have not achieved.
The problem with digital books is that you can always find what you are looking for but you need to go to a bookstore to find what you weren't looking for.
Digital gadgets often plug us into an environment that's more cluttered than the real world.
Confidence, not paper or digital money, is the key currency in a capitalist system.
I like digital because you can shoot for longer.
Well, as far as film, either you're making a film or you're making videos. Digital capture is always trying to emulate the range and look of film. I believe personally that film has more.
So I tried to get my shot with a 50mm and I did it - this is when we're shooting film, not digital. The guy that hired me looked through the pictures and was like, "Oh, this is pretty good. You did a good job." And I was like, "Yeah, I'm sorry. I only had a 50mm. My girlfriend rented the wrong lens..." and he stopped looking at the pictures and he looked up at me and he said, "You shot this with a 50mm? You're hired."
I think it was my mom's attitude about art and being part of the narcissistic digital generation or whatever that made me think anyone would care what I had to say about anything!
You know when I shoot with digital capture, I look for the mistake. When I shoot with film I embrace it.
Analogue dollars for digital pennies.
If you're into writing and making people laugh, or just want to video blog something, you should get a simple digital video camera. And all computers now come with an easy video editing software program. Just mess around with that for a little bit, try to figure it out, then just put stuff online and have fun. Never give up!
I think that's so particularly exciting about this moment in time is all the new platforms that are now existing, the Netflixes and the Hulus and Amazons and so and so forth; I mean they are really doing what pay TV was doing twenty years ago. So a show like Dancing On The Edge gets to have a digital life after it's playing on Starz. I think what's exciting is how these new platforms are providing more opportunities both for first-run programming on the one hand but also for second plays for shows that have appeared first either on traditional broadcast or on cable.
In this new digital landscape, this sort of international marketplace, it's come full circle, and I wanted to take advantage of my talent relations on both sides of the Atlantic.
Both cinematic culture and the culture at large have changed profoundly. We're now in post-cinematic digital culture, and the internet has obviously usurped movies, which are no longer central to our lives, at least not as a collective spectator experience.
The digital age is for me in many ways about temporal wounding. It's really messed up our ontological clocks.
Bitcoin is a remarkable cryptographic achievement and the ability to create something which is not duplicable in the digital world has enormous value
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: