I've done quite a few records now, and I look back and think of them as documents of my musical journey.
I think the most important thing for me is putting out records that document ideas.
People have a hard time going to a club and seeing this business tool on stage that's wholly indicative of everything that rock is not. Rock is not about sitting in an office setting up documents, yet they see someone on stage doing that.
It's a really, really hard life when you don't have a document that actually gives you a name and a face.
Before Gutenberg, there was this really very strong oral storytelling culture where being able to relay stories from person to person was sufficient. And then, with the introduction of printing and mass communication, suddenly somebody had a lot of authority invested in the idea of a single canonical expression of a document or a piece of communication.
The screenplay is a great document because it makes you have many discussions prior to actually being on the floor.
In the occupation in Afghanistan, there are tragedies as well. It's not as bad as in Iraq because there are fewer American troops. But, as I describe in the book, going out on patrol and coming into a village, the soldiers found a stash of documents and decided this was Taliban propaganda.
Despite everything we know about photo manipulation, a photo is still considered an objective document.
I've been studying sexism for many years, and it's much easier to document the existence of sexism than it is to document the existence of interventions that reduce it. It's really hard to find ways to change the way people see people in different groups. It should be our goal, and we're working for that, but it's hard.
The building housing America's military brass is a five-sided pentagon, but somehow, the people in it still manage to make it the squarest place on earth. The latest evidence? A current military document that lists homosexuality as a mental disorder in the same league as mental retardation - noting, of course, the one difference: retarded people can still get into heaven.
"We, the people." It is a very elegant beginning. But when that document was completed on the 17th of September in 1787, I was not included in that "We, the people."
When I'm writing, it's about the page. It's not about the movie. It's not about cinema. It's about the literature of me putting my pen to paper and writing a good page and making it work completely as a document unto itself. That's my first artistic contribution. If I do my job right, by the end of the script, I should be having the thought, 'You know, if I were to just publish this now and not make it . . . I'm done.
The picture itself is a document. How do you mean? We're looking at a document. It gives you clues.
I was really interested in the fact that blacks have high blood pressure, heart disease, and diabetes at a higher percentage than the rest of the population. That didn't stay very aggressively in the book, but that's how it started. I began to document these moments as support for this other thing I was thinking about, and then the moments themselves began to take over.
Often, I'm spending months with a person in a very intimate context, getting to know the ins and outs of what they ate for breakfast, not to mention dredging up the most traumatic experiences of their lives, digging through their documents and photographs from difficult times, all of that. And that process, I think, can be extraordinarily strange for subjects who've never been interviewed before, especially if you don't acquaint them from the get-go with what you're trying to do, what it entails, and why you care.
It's difficult for me to imagine any scene differently because I've read the book so many times. The book, as a whole, seems like a document that wouldn't withstand any changes at this point. Or perhaps I simply can't imagine having to revise it again.
I have hundreds of Word documents filled with pages of one-liners. If I begin to write a story, or if one of my thoughts leads to more than a couple paragraphs of writing, I'll go into these documents and pull out lines that I think would work with it.
I hide my documents in many different places on my computer, because I often write things that I would never want anybody to read, at least unedited, and I'm paranoid that someone might figure out what the password to my computer is and maliciously read my Word documents. So a lot of the time I lose things I've written and/or completely forget about them.
No matter what, I'm never going to get an anthology from an actual publisher, though I could always score another music anthology. But if this is going to be a document of a multiplicity of my writings, it'll do. It feels like a birthday party or something.
As for not getting things right: I constantly rerun social situations/conversations I experience/have throughout my head, and I'm always writing them down in notebooks or in word documents/the Internet. I feel like these habits and a generally good memory of people/the interactions I have with them (due to studying people having always been my main interest in life) have lead me to being very accurate in things I write in stories/essays.
I think now we're seeing the pendulum switch back to this idea where conversations are more important, if not more important than documents.
The views of the Contact Group member-states must be taken seriously, as well as the guidelines set out in their document on Kosovo, which clearly says that the province should not be divided.
The Bible is a radically pro-slavery document. Slave owners waved Bibles over their heads during the Civil War and justified it.
It's the story of my life. You see, the quality of any advice anybody has to offer has to be judged against the quality of life they actually lead. Now, as you look through this document you'll see that I've underlined all the major decisions I ever made to make the stand out. They're all indexed and cross-referenced. See? All I can suggest is that if you take decisions that are exactly opposite to the sort of decisions that I've taken, then maybe you won't finish up at the end of your life" --she paused, and filled her lungs for a good should--"in a smelly old cave like this!
The true nature of bureaucracy may be nowhere more obvious to the observer than in a developing country, for only there will it still be made manifest by the full complement of documents, files, veneered desks and cabinets - which convey the strict and inverse relationship between productivity and paperwork.
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