A snapshot steals life that it cannot return. A long exposure [creates] a form that never existed.
Poetry and the arts can’t exist in America. Mere exposure to the arts does nothing for a mentality which is incorrigibly dialectical. The vital tensions and nutritive action of ideogram remain inaccessible to this state of mind.
Taking a look back, one big reqret is, I left Harvard with no real awareness of the awful inequities in the world. The appalling disparities of health and wealth and opportunity that condemned millions of people to the lives of despair. I learned a lot here at Harvard about new ideas and economics, and politics. I got great exposure to the advances being made in the sciences. But humanities greatest advances are not in its discoveries, but in how those discoveries are applied to reduce inequity.
You can learn as much - or more - from one glance at a private space as you can from hours of exposure to a public face.
What was once a cottage industry dedicated to the discovery and development of new voices and works has become instead the raison d'etre for many a playwright's existence . . .. And since readings have become playwrights' main source of exposure, the nature of playwriting has changed to fit readings' needs. Investigation into what is eminently theatrical has been substituted - more and more these days - by what can simply come across and read well.
Research suggests that exposure to the natural world - including nearby nature in cities - helps improve human health, well-being, and intellectual capacity in ways that science is only recently beginning to understand.
I inhabited a territory of loneliness which resembles the place where the dying spend their time before death, and from where those who do return, living, to the world bring, inevitably, a unique point of view that is a nightmare, a treasure, and a lifelong possession.[It is] equal in its rapture and chilling exposure [to] the neighbourhood of the ancient gods and goddesses.
Still, there is a basic reticence about his approach that feels refreshing in today's culture of maximum exposure. Brandt did not go to great lengths to turn people into icons, nor did he presume to show their “true nature” in something so transient as a photograph. Instead, he used photography's special qualities to suggest intimate things about his subjects, things that cannot be put into words, and may not even be possible to put into pictures.
Though I am born into a film family, I hardly had much exposure to shooting during my growing years. My first film actually taught me about the breakdown of shots in a film. My aim is to do three memorable roles in the next five years; films I can be really proud of. And I want to work with the best.
Wholeheartedness. There are many tenets of Wholeheartedness, but at its very core is vulnerability and worthiness; facing uncertainty, exposure, and emotional risks, and knowing that I am enough.
Sparta must be regarded as the first völkisch state. The exposure of the sick, weak, deformed children, in short, their destruction, was more decent and in truth a thousand times more human than the wretched insanity of our day which preserves the most pathological subject.
I am, as far as I can tell, about a month behind Lord Byron. In every town we stop at we discover innkeepers, postillions, officials, burghers, potboys, and all kinds and sorts of ladies whose brains still seem somewhat deranged from their brief exposure to his lordship. And though my companions are careful to tell people that I am that dreadful being, an English magician, I am clearly nothing in comparison to an English poet and everywhere I go I enjoy the reputation- quite new to me, I assure you- of the quiet, good Englishman, who makes no noise and is no trouble to any one.
I think that all the years of exposure to amps and electricity has altered my body chemistry.
There is nothing in the world more difficult than candor, and nothing easier than flattery. If there is a hundredth of a fraction of a false note to candor, it immediately produces dissonance, and as a result, exposure. But in flattery, even if everything is false down to the last note, it is still pleasant, and people will listen not without pleasure; with coarse pleasure, perhaps, but pleasure nevertheless.
One day's exposure to mountains is better than a cartload of books.
The world always makes the assumption that the exposure of an error is identical with the discovery of truth - that error and truth are simply opposite. They are nothing of the sort. What the world turns to, when it has been cured of one error, is usually simply another error, and maybe one worse than the first one.
Autobiography is not important. Authenticity is important. The writer must fire herself through the text, be the molten stuff that welds together disparate elements. I believe there is always exposure, vulnerability, in the writing process, which is not to say it is either confessional or memoir. Simply, it is real.
The quality which makes man want to write and be read is essentially a desire for self-exposure and masochism. Like one of those guys who has a compulsion to take his thing out and show it on the street.
I got my first exposure to Islam when I was 13.
Exposure makes you famous, not just good work. Famous is being plastered everywhere.
She dreamed of leaving, but she had too little exposure to the world to imagine where to go.
For the record, surgeries aren't pretty. there's a hideous sense of intimately inappropriate exposure to another human being, and it feel something like accidentally walking in on a naked parent. Only there's more gore. Bits are exposed that just shouldn't be out in the open, and they're covered in blood. Its embarrassing, disgusting, and unsettling all at the same time." Harry Dresden, Turn Coat.
Anyone who has ever scanned the bookshelves of a new girlfriend or boyfriend- or peeked inside his or her medicine cabinet- understands this implicitly; you can learn as much - or more - from one glance at a private space as you can from hours of exposure to a public face.
When we travel, we are like a film at the moment of exposure; it is memory that will develop it.
The willingness to reach inside every part of yourself opens the door to total understanding. You place your entire identity on the line, not just an isolated part. This may sound daunting, but actually it’s the most natural way to approach any situation. When you hold some part of yourself in reserve you deny it exposure to life; you repress its energy and keep it form understanding what it needs to know.
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