There are estimates that 2 to 3 percent of cancers in the U.S. each year are engendered by exposure to repetitive imaging.
The weed crushed and pressed by the heavy rock may slowly and gently grow up anew helped by the fresh air, sunshine, and sympathetic rain. On the other hand, the rock is often broken through exposure to nature and weathering. Life is a strong power to grow in tenderness; this fact may be considered as having a close relation with human life. At the same time tenderness has sometimes stronger power against stiffness or hardening due to extreme strain.
No matter how skillful the trading scheme, over the long haul, abnormal returns are sustained only through abnormal exposure to risk.
Philosophers talk about truth and falsehood. People in life talk about payoff, exposure, and consequences (risks and rewards), hence fragility and antifragility. And sometimes philosophers and thinkers and those who study conflate Truth with risks and rewards.
I believe that being on that show [the Voice] and getting the exposure opened the door for me to get my name and music outside of Texas and the markets I was used to playing in. One of the bigger things that came about from being on the show was that I got on with Paradigm Booking Agency; one of my earlier problems was how hard it is to get booked if you don't have a good booking agency.
Before digital, I spent thirty years shooting color transparencies, which are very unforgiving of exposure. A half stop can make or break a good photo on slide film.
It is so much better to get the right exposure than to have to mess around later with Photoshop.
To me there is no more depressing sight than a five-year-old staring at a screen, unsmiling, mouse in hand. Besides whatever dreadful things this prolonged exposure to screens is doing to their brains, computer games tend to be solitary affairs, and produce little laughter.
It's probably odd for someone to read an interview where the interviewee is worried about exposure while they're talking in an interview.
People are put down in television now, not because they're not qualitative, not because they're not talented - but because there's no room for them, and worse than that, there's nowhere they can find exposure. Their own good talent may die of mourning, just for want of having somebody read what they've written. I don't presume to say how we can best provide platforms for new writers to get read. I don't know. But therein lies the major problem.
I'm grateful for the exposure that being on a show like The Flash gives me, particularly in this generation of social media and how accessible you can be to fans. And I think it's important to use that platform to send a positive message.
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
If you pay attention to where your exposures are, you might tend up buying credit default swaps against a variety of people that you - companies that you deal with.
We feel a deep pleasure from realizing that we believe something in common with our friends, and different from most people. We feel an even deeper pleasure letting everyone know of this fact. This feeling is EVIL. Learn to see it in yourself, and then learn to be horrified by how thoroughly it can poison your mind. Yes evidence may at times force you to disagree with a majority, and your friends may have correlated exposure to that evidence, but take no pleasure when you and your associates disagree with others; that is the road to rationality ruin.
I almost feel like its an obligation to not further the status quo if you become somebody with influence and exposure. I dont want to paint the same painting again. I dont want to make the same sculpture again. Why shouldnt a big movie studio be able to make those small independent kinds of pictures? Why not change it up?
I am a person who dreads any kind of public exposure and any kind of public event. I spend all day, if I have to do a reading, preparing.
A photograph is not an accident - is a concept. It exists at, or before, the moment of exposure of the negative.
To make the essence of man visible in the exposure is the highest art of photography.
I've gotten a lot of exposure for my writing. My writing blog has gotten over 1000 unique hits since the Observer piece (quite a lot as before it was something like 20 people a day if I was lucky.) But more importantly the coverage exposed me to and so has allowed me to connect with a lot of new people I really enjoy interacting with.
There's still a strange moment with every book when I move from the position of writer to the position of reader and I suddenly see my words with the eyes of the cold public. It gives me a terrible sense of exposure, as if I'd gotten sunburned.
I almost feel like it's an obligation to not further the status quo if you become somebody with influence and exposure.
Work hard, not in grunt work, but in chasing such opportunities and maximizing exposure to them. This makes living in big cities invaluable because you increase the odds of serendipitous encounters-you gain exposure to the envelope of serendipity.
Why should anyone think a white skin superior in evaluating the qualities of human life? I did not really admire a white skin so much myself. Did I not prefer the brown skin that came with exposure to the sun?
Being independent gives me freedom to creatively be great. Standing on your own doesn't always get major exposure or support, but because I make music from a pure place, I am more so excited and relieved that it actually gets out into the universe.
The form of truth will bear exposure, as well as that of beauty herself.
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