When black America is on the move, America is on the move.
When you think of 244 years of slavery and 81 years of that finally you are going to be allowed to be part of the pool from which people choose jobs. That's not a substantive kind of move, but it was very important.
If the churches don't move, much of the community won't move. We've got a situation in which a black church is still a major institution in the black community where 55 percent of the black folk attend and over 75 pass through its doors.
I went for a more classical approach to filmmaking with lots of dolly, track and cranes, and slightly slower, more choreographed fight moves, so you get more fight moves in one take.
America has long raised political and cultural cognitive dissonance to an art form. We are capable of living with enormous inequality and injustice while convincing ourselves that we are in fact moving toward what Churchill called the "broad, sun-lit uplands."
I am quite prepared to die here [in NY]. It doesn't matter at all. I don't know better places, or perhaps if I do I am not prepared to make a move.
It's funny, because it's like the fight when you watch it, it's probably going to be like five minutes, but it's taken us like a month to shoot it so I think what was really interesting was that instead of going through an entire fight sequence, you're doing one or two moves over and over and over, so I'd say it's less exhausting than actually training, because you're not really constantly going over the choreography, like the whole entire thing with everybody. You're just doing that one part that they need in the shot.
I understand some people may not have that kind of reverence for it, but I really thought that the revolving door of Law & Order would keep it going because you can just keep moving the people through.
People are going to move in and out of their office, and they're going to move up or get fired. All kinds of things happen like that, in real life. And, we're always going to have crime, unfortunately. If we didn't, then I wouldn't have a new show.
I was sitting on top of people and it was just really uncomfortable. There was no place to move. And, I don't like auditioning, anyways. With auditions, you can get so nervous, or other things get into your head and throw you off, and it doesn't really reflect what you can do, as an actor. The whole thing was just really nerve-wracking, but I ended up getting it.
Television moves so fast. A series moves at such a rapid pace and things are changing, episode to episode, where you're going, "Wait, why am I doing this? This last episode, you told me I was doing this." You're shooting at a moving target.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
I'm truly an outsider in the poetry world. When I started writing, I was trying to move my poems away from modernist lines.
Being singer/songwriter implies versatility and being able to create more than one medium, and R&B artist is a box, simple as that. It is 'that's what you do, that's what you are', and that's a little unfair, to me, because I don't just do that. So I like singer/songwriter because it allows me to move a little bit more freely.
I guess just personally I've become a bolder person in my day-to-day. I think a lot of it came from moving to Brooklyn. I just sort of became an adult and started speaking up for myself and not apologising for myself.
Music has always been a big part of my life, it moves me, it educates me and it makes me grow. It is a fantastic language to help you explore ideas.
What playing solo has reminded me is how much I love electronic music and how much I love dance music. I'd like to move towards something more hypnotic and rhythmic rather than song-based.
If there's no magic of cinema, you only have the plain imagery of television. We are moving more and more towards a world devoid of meaningful experiences. We're going to the surface.
Knowledge, wisdom, and understanding don't come out of the microwave. You got to keep moving forward because the evil doesn't sleep.
I want to always move forward with everything I am doing. So, I do the radio show, speak at universities and other social institutions all around the world, appear on TV, and continue to create music all in the hope to keep the struggle alive.
I grew up speaking English and Spanish. I grew up moving from country to country due to political, governmental, and social issues and just family atmosphere that wasn't right to bring up your kid in a country where there's a dictatorship or a communist type sense, so I incorporate that int music.
I'm trying to make the case that the church can indeed, from within its own resources, move out of a false, and often a hateful, characterization of and set of attitudes toward gay and lesbian people.
I began to realize that photographs, these still images, have a tremendous power to move your soul. They can change your life by what you choose to get out of them, and I started to collect photographs.
I've known both misery and happiness, lived in so many different skins it is impossible for one skin to claim me. And I have felt like a wayfarer on an alien planet at times - walking, running, wondering about what brought me to this particular place, and why. But once I was here the dreams started moving in, and I went about devouring them as they devoured me.
I want to get away from it all. Move to the sticks. Montana. Hundreds of miles from civilization. Get a cabin in the snow. Curl up with some cute girl. Say stuff to her like, Scream all you want, sugar. Ain't nobody gonna hear you!
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