Finally, when all was said and done, the certainty (so often experienced, yet always new) that female charms, the kind that inflame the senses, are no more than kitchen smells: they tease you when you're hungry and disgust you when you've had your fill.
You have to tease your family. You tease the ones that you're closest to.
Africa can stun you in an instant. It can throw floods and drought and disease at you, sometimes all at the same time. In the next moment, it will tease you with its magnificent beauty, so even if you don't forget, you can find a way to forgive. Ultimately, it keeps you coming back for more.
In presenting a mathematical argument the great thing is to give the educated reader the chance to catch on at once to the momentary point and take details for granted: two trivialities omitted can add up to an impasse). The unpractised writer, even after the dawn of a conscience, gives him no such chance; before he can spot the point he has to tease his way through a maze of symbols of which not the tiniest suffix can be skipped.
We must not imitate the externals of nature with so much fidelity that the picture fails to evoke that wonderful teasing recurrence of emotion that marks the contemplation of a work of art.
The thing that teases the mind over and over for years, and at last gets itself put down rightly on paper - whether little or great, it belongs to Literature.
The [travel] writer, looking back at the journey from a distance of a year or two (or three), is a different character from the hapless character who undertook the trip: wise after the event, with the leisure to tease out meanings from the experience that the distracted traveler never had, and often impatient with his alter ego's blinkered and unsatisfactory version of things.
It's inevitable that you will die, so the only question is when. The great thrillers are the moments that play and tease with the question, "When will it be?"
It’s a most natural way for me. I can tell people I can run in a saree and I can do five sequences in a saree. I can romance in a saree and I can do everything in a saree. For me, it’s a most versatile garment…it’s extremely sensuous and at the same time it is strong, there is an elegance and at the same time it teases your imagination…It’s very powerful.
I have always believed that if you need to take your clothes off to get your man, you've begun to lose the battle. If you pull it off right, you can do it in a very classy way... Being sexy is about suggestion; it's about the tease. It's not about being obvious and forcing yourself out in the open. That takes all the fun out of being a woman.
I'm not the type of person that would shrink down when people tease me. I'm gonna fight back! I'm gonna go back at it and do it more. So, if people egg me on saying 'oh, Kingdom Hearts III is delayed' well, I might even delay it further!
My friends tease me about the fact that if someone seems bad or shady or like they have a secret, I find them incredibly interesting.
I wrote six versions of a 30-second tease for an NBA game. You never get it right on the first try.
There never is any such thing as one truth to be found in dramatic art. There are many. These truths challenge each other, recoil from each other, reflect each other, ignore each other, tease each other, are blind to each other. Sometimes you feel you have the truth of a moment in your hand, then it slips through your fingers and is lost.
All that is, was, and will be. Universe much too big to see. Time and space never ending, disturbing thoughts, questions pending. Limitations of human understanding. Too quick to criticize, obligation to survive, we hunger to be alive. All that is, ever, ever was, will be ever twisting, turning, Through The Never. In the dark, see past our eyes. Pursuit of truth, no matter where it lies. Gazing up to the breeze of the heavens, on a quest, meaning, reason. Come to be, how it begun. All alone in the family of the sun, curiosity teasing everyone. On our home, third stone from the sun.
I think any break-up from a long relationship has this accompanying feeling of who am I without this person. You feel like a half-person because you've integrated yourself into an idea of a couple for so long, and then teasing that out and finding out who you are without them, it just takes a while. It feels like an amputation.
Regular people don't even realize how much artists mean to them. Artists represent a lot to the average person. People listen to music all day on their iPods, so as artists, we become a real fixture in people's lives. As an artist, you can't take it personal. It's like your big brother teasing you.
People always tease me. They say, look at you, you went for so much psychoanalysis and you're so neurotic, you wind up marrying a girl so much younger than you.
And then, what I hope will happen at the end is that there will be a big enough springboard that, if we chose to go for a second season, we would have one. But, there will be none of those maddening teases that we're going to tell you the answers and then we don't tell you the answers. That gave NBC the idea of making it a mini-series.
I grew up in a house where there was lots of teasing and language play and laughter; it was very important. When I was a teenager, you wouldn't go to a bar and find lots of televisions everywhere. People were talking. Talk was the mental fire you would gather around in the evening. It occupied a big part of your existence.
I take pleasure as a reader in books that tease with a kind of urgency of the real, even if it's only a manufactured effect.
"St. Lucia We Love" is actually a song produced by Stratosphere music (also St. Lucian). The CEO of Stratosphere music approached me and wanted me to produce a music video for this song which was already a hit in my country. I felt privileged to have been chosen to do such a video. So every time I went out to shoot a scene from the video, I would get a still shot from the scene to tease the public. The photo of the amazona versicolor is is an actual scene from the video which was released on St. Lucia's Independence day (22nd February, 2013).
I was teasing my brother that he was penniless, homeless, jobless. Right now in his life, racism isn't the central highlighting force: it's the world of work and economics. It doesn't mean that he isn't influenced by racism, but when he wakes up in the morning the thing that's driving his world is really issues of class, economics and power as they articulate themselves.
That's the nature of representation; every time we represent something we alter it and slightly change it. And so with that as my foundation, understanding that it's always fictional to some degree, I give myself a certain freedom to really explore and ask myself questions. What might not have been understood at that time? What might have been hidden at that time? What narrative in this particular image wasn't the primary image, but is really important? That is really interesting to me, and then I try to tease that out as much as I can.
You can hear how hard I work, I think, from these stories I'm telling. I'm incredibly dedicated and I'm sort of known as that to a point that people tease me about it.
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