The Dark Backward. Bill Paxton is in it with me. Wayne Newton. James Caan. Adam Rifkin wrote and directed it. It was made a number of years ago and very odd. Not for the squeamish.
Wayne Wang, the director of Because of Winn-Dixie the movie, understood the book and transferred as much of the feeling of the book onto film as humanly possible. I think he did a fabulous job. And also I'm thrilled because the movie brings people to the book - people that wouldn't know about the book - and that's a great thing.
Lil Wayne would probably be a big musical inspiration for me, because growing up I was just the biggest Wayne fan and being able to be signed to him and watch his whole journey to the peak of his career is great.
[Wayne Rooney] has to be viewed as a great England striker if he breaks Sir Bobby Charlton's record. Scoring goals at international level is much more difficult than it was a few years back because even the lesser teams are well organised and don't concede too many goals these days.
There have been more things wrong with England than just Wayne Rooney in the last few years.
It was in the nineties. [Bill] Clinton was president. And Clinton was making, you know, the usual Democrat move on guns after some of event, and Wayne LaPierre said, "I think the president's comfortable with a certain level of violence."
I had PubLIZity, I had Oh, Hello, I had Bobby and Farley - all of these sketches that were really these duo sketches, but the relationship between them is really what catapulted them forward. A lot of that, I think, came from Wayne and Garth, these two similar guys - they're Midwestern metal guys - but in the end, they're quite different because there's an alpha and a beta. And I think that model became very present for me on Kroll Show.
I had an agent. When [Edward] Steichen was doing "The Family of Man", I went up to the office one day. I think Wayne Miller, who assisted Steichen with "The Family of Man," was up there and pulled out a bunch of pictures. So I got a message: "Take these pictures, call Steichen, make an appointment and take these pictures up there." And that's how I met him.
Sarah Palin is to women what John Wayne Gacy was to birthday clowns.
[Wayne Rooney] best tournament was the 2004 European Championships, when he played alongside me and made such a big impact, but it hasn't happened for him at the World Cup for one reason or another.
Oddly enough, I've always - I've never actually seen "The Alamo" itself, actually. So I don't really have the association of "Green Leaves of Summer" as being "The Alamo" theme. Oddly enough, I grew up watching kung fu movies. They would use the theme "Green Leaves of Summer" in a lot of needle drops in kung fu movies a lot. So I was actually more familiar with it in a Bruce Li movie than I was actually from the John Wayne film.
[Duke] is the same way that Harper Row is a character who doesn't want to know who you are beneath the mask, and that makes her interesting. She'll show up and help Batman, but she never wants to know if he's Bruce Wayne.
No matter how much I'm on and people are loving me, there's always some like, and it's usually a woman too, in the audience rolling her eyes, "Oh Wayne, you're embarrassing yourself." There's always someone like that.
I experienced Kabul with my brother the way Amir and Hassan do: long school days in the summer, kite fighting in the winter time, westerns with John Wayne at Cinema Park, big parties at our house in Wazir Akbar Khan, picnics in Paghman.
I'm just glad that the whole John Wayne persona of a man is sort of old school now, because I'd never be able to do that. If that was the going rate today, I wouldn't be working.
Me rapping over other people's beats doesn't mean as much as when Lil Wayne does it - no matter how hard I'm going in.
Society's epitome of credibility is John Wayne, who sizes up a situation and says, "Here's what I'm going to do" - and you follow him.
It's very hard to dismantle the ball off Wayne Rooney
Making a martial arts film in English to me is the same as John Wayne speaking Chinese in a western.
I definitely have a spiritual outlook. I don't usually read self-help books, but I read a great book by a guy called Wayne Dyer, 'The Power of Intention,' which I loved. I'm not a religious guy, in fact I'm probably agnostic but I thought what this writer had to say was really powerful.
You're not going to be able to look like anyone else, no matter how hard you try, unless you're a mimic, then you're not acting, you're just mimicking. You can't go on being John Wayne, that's John Wayne. So you're not going to steal from John Wayne. I'm not going to steal from John Wayne and you're not going to come back and say 'Didn't you get that from the circus?' You know. But he is one of those people who instructs me, whom I look up to - whom I think is one of the masters of his craft that I am so enamoured of.
I don't think nobody should compare me to anyone, 'cause, at the end of the day, you've got a 'Pac, you've got Snoop, you got Tip, you got Wayne - there's only one Jeezy, man. Ain't nobody walked in these shoes but me.
A "name" no longer carries a film. People used to go to the cinema to see a "John Wayne film." And you don't have that thing happening now except in the rock world, which has taken the event out of movies.
Acting is about listening and reacting. John Wayne was right: Acting is just reacting. You don't have to do much - as long as you stay out of the way of others. That's why it works.
Several people inspired me like Lil' Wayne, Juvenile, the whole Cash Money camp, the No Limit camp, DMX, Jay-Z, Eminem, LL Cool J, I listened to all type of sh*t. I listened to R&B like Teena Marie, just good music - anybody that made good music. When I was growing up out west I listened to Twista, Do or Die, and Crucial Conflict. They were the "it" artists in Chicago. I wanted to be like them on TV and all of that so that's how it all started.
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