Look, any guy who tells you that he didn't have some fears is lying. Of course, it's scary becoming a dad for a variety of reasons. That's not to say it isn't thrilling. It was. It was very exciting and in some ways was the greatest thing that's happened in my life. But it's also completely terrifying and you're saying goodbye to a portion of your life and that's just an emotional experience.
I'm really attracted to authors who take on really tricky material with a very open mind and take a subject matter that you wouldn't think would be a comedy.
Being pregnant changes you as a human being and it gives you a whole lot of mixed feelings.
Too many people believe in that [Alfred] Hitchcock thing that he only shot exactly the shots he needed for the dialogue he needed and I think that's bullshit, even if that was true for that singular filmmaker.
I'm too big a fan of rhythm and editing. I'd much rather my editing be brave than my shooting.
I'm a believer that people need to understand that filmmaking is not a perfect process for anybody. It is a process in which you find the film and the film finds you. And that is every film.
I think when you pay attention to the shots, you're aware of the fact that there's a director. Really, it's the director's job to disappear and allow the movie to just feel.
I'm really specific in the way that I shoot. I've always had a very good sense of what I need in the editing room.
With each one of my films, I'm exploring one of my own issues and I try to expose myself a little in the film.
Each one of my films is personal; each one of my films is emotionally autobiographical. And I like directors who do that.
Directing is a reactionary job more than a creation job. The job is to react whether it's moment one, the first time you read the script or see an article or read a book or notice something happen on the street and have an idea for a movie, and it just continues from there on in. You're just reacting to dialogue, a performance, an audition, a headache, a piece of furniture, a piece of clothing.
The first thing I say when people ask what's the difference [between doing TV and film], is that film has an ending and TV doesn't. When I write a film, all I think about is where the thing ends and how to get the audience there. And in television, it can't end. You need the audience to return the next week. It kind of shifts the drive of the story. But I find that more as a writer than as a director.
When I write a film, all I think about is where the thing ends and how to get the audience there.
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