Eventually the writing takes time. What I want to do is get the story down and I want to know what happens as I write my way into the knowledge of the story.
When I have a first draft, I have a floor under my feet that I can walk on. Then, especially with the help of the computer, rewriting is so easy to do with the computer, much easier than it used to be with the typewriter. So the books go through numerous drafts.
I wouldn't mind writing a long book which is going to occupy me for the rest of my life.
The hard part is, of course, the proximity of death. The number has no meaning as long as you're fit and healthy. But you know that you only have so much time left and you don't know how much it is. It could be a very short time.
If you read a novel in more than two weeks, you don't read the novel really.
I think I write or publish as much as I do because I can bear being without a book to work on. But routinely when I finish a book, I think, "What will I do? Where will I get an idea?" And a kind of low-level panic sets in. And then eventually something happens. I don't know. If I knew how it happened I would repeat the process, but I don't know - something just occurs to me.
I work just as much as I always worked. And I can't explain the fact that there have been a series of books coming rather regularly out of me. I work most days and if you work most days and you get at least a page done a day, then at the end of the year you have 365. So the pages accumulate and then I publish the books.
What I would really love to happen to me would be if I came upon an idea that would keep me busy until I die so I wouldn't have to go through the business of thinking up a new book. But I wouldn't mind writing a long book which is going to occupy me for the rest of my life.
I'm an Obama supporter. And if you're an Obama supporter that means you had a hard time during the Bush years.
Each book starts from ashes really. I don't feel that I have this to say or that to say or this story to tell or that story to tell, but I want to be occupied with the writing process while I'm living.
The book can't compete with the screen. It couldn't compete beginning with the movie screen. It couldn't compete with the television screen and it can't compete with the computer screen I don't think. And now we have all those screens so against all those screens I think the book can't measure up.
To read a novel requires a certain kind of concentration, focus, devotion to the reading. If you read a novel in more than two weeks, you don't read the novel really.
You don't want to repeat yourself for one. You don't want to fall into the clichés for another. And you don't want to be licentious really. You want to be descriptive, if you can be. And you're not setting out to arouse anybody.
I think I write or publish as much as I do because I can bear being without a book to work on.
The book really comes to life in the rewriting.
When I have a first draft, I have a floor under my feet that I can walk on. And then, especially with the help of the computer, rewriting is so easy to do with the computer, much easier than it used to be with the typewriter. So the books go through numerous drafts.
I work most days and if you work most days and you get at least a page done a day, then at the end of the year you have 365. So the pages accumulate and then I publish the books.
'Haunted by the past' is a commonplace phrase because it's a commonplace experience. Even if one is not, strictly speaking, 'haunted', the past is perpetually with one in the present, and the longer it grows and the further it recedes the stronger its presence seems to become.
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