You have to have an almost boundless reservoir of energy and interest to enter politics because quite often it's thankless and fruitless and you can't accomplish much.
In this day and age, if you're aspiring to be an actor, and you're putting all your eggs in one basket, you could be disappointed. I started out as an actor, but I forced myself to be a writer, even though I wasn't very good at it and had never written. I don't think I ever passed an English course in my life. My first 8 to 10 scripts were pretty horrendous, but I stayed at it until I eventually found a voice and a subject that people were interested in. So, I recommend that you go out and try to be as versatile as possible: writer, actor, producer and especially director.
I understand that a lot of other actors don't have a choice. They have to eat so they need to work and they'll do films that they're not so proud of. But I've been fortunate enough to be given a second wind, so I try to pick projects I know will provide the audience the kind of escapism they want from me.
If I just know in my gut that a film is going to work, I'll fight to the death over it, and I convince myself. When a movie is purely a money job, the film doesn't have the same sort of intensity, and the audience almost senses it, at least that's the way I perceive it. So, yeah, the idea is to do something that you truly, truly believe in.
The only thing that I haven't done is perform brain surgery on myself. I've been very, very lucky. I've spared Shakespeare undue stress by not doing that.
Sometimes worst enemies like a Mohammed Ali and Joe Frazier that's what makes you fight so hard. Without them they never would have achieved greatness.
I just like stories about redemption about getting a second chance at life, I think everyone in the world has a few major mistakes they've made in there lives and if they could just go back and correct it... but, unfortunately they don't get a chance usually it's almost impossible.
I guess the best thing I do of all is ride. Horsemanship, I have a natural flair for it.
Polo is like tennis - you literally have to live it.
Movies are a collective art. Art by proxy.
I watch a lot of news, and I watch musical shows because I think the music of the young people is really their news reports. They let you know how their country is going through their eyes, and about their experiences in the everyday shock of growing up.
To be really artful, though, you have to be subjective and so singular.
I'd live in a museum if I could. I used to spend hours and hours in the Museum of Modern Art.
Art is the ability to communicate through an intermediary and to convey one's feelings through an isolated object. It's inspiration and incubation. Putting my subjective feelings into an objective form and then on to you for a subjective interpretation.
Theater is like boxing - having the audience ringside. It's instant gratification. Or horrification.
It's great the way the old-time directors used to manipulate the hell out of you. You see someone dying and all of a sudden a ghost would come out and they go walking hand in hand up the stairway.
Most of the films I myself like don't do very well. Every director, he has a choice, whether to go for subtlety and try to articulate every minute detail, or to go for the broad strokes and hope that the people will fill in between the lines. I tend to go for the broader strokes.
No one's life is totally morbid. Even on a subtle scale there's little flashes of enlightenment and of happiness and joy.
Often people going into directing want to learn as much as they possibly can about "technique." And I say the hell with that.
I think there's something about being a neophyte that's refreshing and hard to duplicate; it brings about real innovation. Innovation usually comes about through blind ignorance.
When I was cognizant of the war, I was very angry at the street-corner liberals who were trying to defame the footsoldier. Because there was a man who had no choice. He was a cog in the wheel, just trying to survive. I was always aware of that.
Lighting can bring out certain contours in the body, in the face, in the eyes, that otherwise flat lighting couldn't.
If you come into my house, I'm going to fight much more viciously to get you out than if we were on a neutral piece of land.
The men in Vietnam weren't allowed to fight the war with any kind of concern to win by the government. It was like a war of attrition.
When crossing someone's borders you have to be prepared to engage in a war that is far more brutal than if it were to take place on neutral territory.
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