When I start writing novels, I go into them with a spirit of inquiry, rather than to substantiate prejudices I had in the beginning. If you don't do that, you can't write good characters.
By the time we, consumers, are aware of processes like genetic engineering, they're already being done. It's sort of like the war in Iraq: By the time we know about it, it's almost a fait accompli. And that's certainly true with science.
I think that if we don't learn to inhabit other people's perspectives, then we're never going to understand why people do what they do.
It was really a means-of-production problem. It costs so much to make films. With a novel, you can write the whole thing on a ream of paper from Staples for $4.
Even though I was making documentaries, my films had fictional elements to them. I think I like blurring those distinctions because so much of what we see on television purports to be the truth, but it's often largely imaginary - or wishful thinking, or any number of less honorable things.
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