When you write comic books and when you are writing for television, you're not writing the end product, you are writing notes for someone else to make the end product essentially. My scripts are just directions for the artist to draw pages and the pages are what is seen. I kind of feel like it's a safety net, you're able to hide behind the art to a certain extent, and in television you're able to hide behind the actors and the production, but with novels, your words are it
We're always exploring new ideas in the writers room, and those kinds of ideas snowball from season to season and drive the show in a different direction.
I think that comics and television, as mediums, go hand in hand. Both tell long-form, continuing stories that are parsed out into little chapters and, if are successful, continue for years and years. What that means to me, as a writer, is it tells stories of transformation and evolution as characters.
I guess in all of the obvious ways. I can afford more diapers for my children. If I want to buy a complete set of Garbage Pail Kids on Ebay I don't have to ask my wife so hard. For the most part, it's mostly the same. I keep my head down and I just work on comics for most of the time.
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