The very term "turning pages" suggests nonstop action. But I am all about character and beautiful writing. I eat that up like popcorn. Whether a book is action-packed or not, all I need are well-written prose and quirky, fabulous characters to keep me going.
I tend not to attempt to describe pain. I don't feel I can comprehend or re-create the personal suffering of others, so I simply try to tell what happened, or what I imagine happened. I also think it helps to let the reader fill in a lot of the blanks. Melodrama is patronizing. With a straightforward statement, readers can figure out for themselves what's going on.
I think that what I do is a form of pathetic fallacy, the literary trope in which nature is in sympathy with the mood of the story. I connect the physical setting and props in the story to the emotional state of the characters.
I sometimes think young people are not given nearly enough credit for their ability to appreciate literary flourish.
You can come back to friendship. You can let it drop, for five years or ten years, and come back to it.
I think as readers we put ourselves in the protagonist's place because we want to be like that person. That's why sometimes we don't like protagonists who aren't all that nice; we want to relate to the protagonist.
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