The Cheers writers were the finest in television. But I felt like I was repeating myself; it bothered me a little bit. And I was getting movie offers, which made people think, "Oh, she's so snooty. She thinks she's going to do movies."
I really felt sometimes like I was physically pulling the plot, and it was heavy. I'm sure it didn't look great that I was going into my dressing room at lunch.
It's just a crime that people don't take the time and make the effort to have a conversation if it's bothering them that much.
It's harder to write two people happy and in love than two people fighting and driving each other crazy.
Everyone wants the two characters to be together, but then once they are, it's not that much fun.
I can't say I based [Carla] on anybody I knew. She was so foulmouthed and mean, just said what was on her mind. So I guess Carla is somebody I always wished I could be at the right moment, the one who always has the perfect comeback.
In a real relationship, you take two steps forward, one step back. So just because we take two steps forward and get all the benefit from that doesn't mean we can't go back or to the side.
I'd spent ten years in London, writing and performing my own comedy shows. They gave me the Cheers [scenes], and I thought it was the springboard for chatting about the show, because in England, that's what you do. So I walk in, and I'm looking around, and Jimmy Burrows said, "What are you looking at? You're not here to have a conversation; you're here to audition."
I was not a womanizer; I didn't date a lot. If I kissed somebody, I was basically married from that point on.
He[Ted Danson] was clearly not a football player, and not only physically. He didn't bring that attitude, that mentality. At the time, there was a [Red Sox] relief pitcher named Bill Lee, the "Spaceman." He was kind of nuts, as we found out a lot of relievers are.
In television, and especially in a situation comedy, you kind of play yourself, or at least the essence of yourself.
I was not looking for a sitcom, because the philosophy at that point was that you had to make a choice: Were you going to do movies or TV? You couldn't cross over.
I was too terrified to notice she [Shelley Long] had breasts. I do remember that I was eating a sandwich.
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